Best Stuff I watched in 2022

Honestly putting together these lists has made me feel pretty good. I knew there were 6 shows guaranteed to be in my Top 10 and had trouble cutting the long list down to just 10. A bit of a bounce back year for movies as well, a few excellent blockbusters, some really smaller personal films I wish did better, and my movies 11-20 (you can see on my full list on my Letterboxd page) are all pretty good and I least considered putting them in my top 10.

TV Shows:

10. House of the Dragon

I considered a few different shows for this spot (for the record they were The Boys, The Dropout, The Bear, and Stranger Things) but in the end I went with the show whose highest points won me over more than most. I found the multiple time jumps and recastings confusing at times but there were many times the show felt like it would reach close to the highs of Game of Thrones. I would say most of those came when Paddy Considine’s decaying King Viserys was onscreen.

9. Winning Time

Not a perfect show but one every single week I looked forward to watching and one where I was basically consistently entertained. The Showtime Lakers are one of the great historical teams of all time and this show really captures the absolute joy of watching them play basketball but watching them exist off the court. Some of the liberties it takes with the stories annoy me, especially changing box scores for games I can look up, but man when it turns some of the greatest icons in sports history, Magic, Kareem, Pat Riley, etc… into compelling tv characters, I’m willing to forgive a lot.

8. Barry

Bill Hader remains one of my favorites and Barry continues to be an amazing showcase for him as a performer, writer and director. Just a really cool show, it continues to get darker and take risks/reinvent itself and I’m really looking forward to what they try next.

7. The White Lotus

Maybe the most deranged show on television. Mike White has an incredible ability to write characters that are extremely annoying but you want to keep watching anyway. These shows rarely have traditionally sympathetic characters and yet you are somehow invested in their stories. This is an incredible combination of the writing and performances, with to my mind the standout performances in the 2nd season being Meghann Fahy and Aubrey Plaza.

6. Atlanta

A strange year for Atlanta, one of the greatest shows of the past decade has ended and it seemed to go away without as much ceremony as you would hope/expect. Most of this probably stems from an extremely experimental 3rd season where half the episodes were almost Twilight Zone-esque stories that had nothing to do with the main cast. Generally, I greatly enjoyed those episodes but thought there were some diminishing returns by the end. When the main cast came together though, magic consistently happened. Then by the time came back for the 4th season, which aired in the same year, people didn’t have enough time to get excited about the final season of a show that had just aired, but excited they should have been. The 4th season was Atlanta operating like the unique treasure it was. Weird stories with the best cast on TV, a standalone episode about the fictional origins of The Goofy Movie, and a finale that for most of its runtime could have been any random episode of Atlanta.

5. We Own This City

Basically, a spiritual successor to The Wire, which is extremely high standards but it lives up to it. Simon creates shows that educate you, make you angry, but most importantly keep you entertained and engaged like no other. This show also features an absolutely legendary performance by Jon Bernthal as Wayne Jenkins, an absolutely horrifying, hilarious, human and captivating man.

4. Andor

As someone who grew up absolutely loving Star Wars, I felt pretty close to sick of it. The Disney era has been a huge disappointment, with a couple of fun movies, one solid show in the Mandalorian and besides that a wreck of disappointment especially in the last few years. The way this year started with Book of Boba Fett and Obi-Wan, which felt like cheap fan fiction that only existed to satisfy the needs of Disney+, I was just about ready to give up. I then began watching Andor and couldn’t believe it, Star Wars could actually still be great, and great in a way that it had never been great before. Andor is a spy story, it is a prison break story, it’s a heist story and it’s the story of the making of a revolution in the world of Star Wars and it’s all brilliant. Tony Gilroy doesn’t come to Star Wars from the perspective of a fan and as a result rekindled my fandom like no one else could have.

3. The Righteous Gemstones

The funniest show on television. Danny McBride’s shows will likely always find a way in my top 10 lists when they air and Gemstones has a chance to become my favorite. The entire cast is excellent, with Patterson as Judy and Goggins as Uncle Baby Billy being my personal favorites, but I loved how the world of the show grew bigger this season and its ambition grew as well with some incredible set pieces.  

2. Better Cal Saul

Another brilliant show from the crew down in Albuquerque and another landing stuck. BCS as a premise sounded insane and seemed destined to never live up to Breaking Bad. Somehow though the show that not only lived up to Breaking Bad but in some ways surpassed it. There were many reasons they ended up pulling it off were but the primary two were Odenkirk showed himself to be an actor beyond anyone’s imagination and the show built a character in Kim Wexler, played brilliantly by Rhea Seehorn, that served as the emotional backbone. The final season was a one that dove into the show’s origins, some of the themes of the opening season, a deeper dive into the opening flashforward that began every season and finally by going back into the place it all started with some scenes with Walter White and Jesse Pinkman. It’s ending served as a capstone for the entire project and is one of the greatest accomplishment in TV history.

1. The Rehearsal

The most daring show on television and quite possibly the boldest one I’ve ever seen. Nathan Fielder takes some of the elements of Nathan For You and pushes it to extreme levels. By the time you get to the end of the show you are worried about what the broader implications of what Fielder has done here but when you start to question that it forces you to question much more, whether reality television is at all acceptable and whether child acting is too dangerous. While doing all this the show never stops being insanely funny.


10. Confess, Fletch

Just a delightful way to spend 90 mins. Jon Hamm is excellent here as Fletch, a quasi PI/journalist, wrapped up in a murder/theft. He is effortlessly charming and funny and gets to drink with John Slattery again, I hope we can sign up for one every other year (the insane release strategy makes that unlikely). 

9. Kimi

Potentially the only good movie that will ever be made about living during the peak of COVID-19. It does this by being a play on Rear Window and the other voyeuristic thrillers that inspired it, utilizing the isolation of COVID to its fullest extent. Probably not a surprise that Soderbergh the director of Contagion, a movie that predicts the ramifications of a global pandemic, is the one that nails telling a different type of story during this time.

8. TÁR

Cate Blanchett as composer Lydia Tár is the performance of the year. Just a full inhabiting of another human being that feels so alive. A fascinating portrait of today’s culture and the way a “great artist” both abuses their powers and the mechanisms that exist to punish them. The last stretch of the movie may go on a bit too long but it ends with an absolutely fantastic joke.

7. AmbuLAnce

Michael Bay decided to make a stripped-down character driven movie and the result is a heist movie with a 90-minute chase sequence and to me that is beautiful. Some of the most exciting sequences in any action movie I’ve seen in years, Bay seems to really understand how to use drones in an exciting way. By Bay standards a pretty compelling and grounded story with relatable characters along with a delightfully unhinged Jake Gyllenhaal performance.

6. Nope

Jordan Peele is one of the last filmmakers who seems to be allowed to make original movies on a giant scale. Nope is my favorite of his films yet, a riff on Spielberg that is entirely about the present but feels in its most exciting moments like I’m watching Jaws or at least something close.

5. Decision to Leave

An incredibly shot and engrossing noir. My personal introduction to Park Chan-wook was the extremely underrated and under-watched AMC miniseries Little Drummer Girl and this increased my fandom and desire to seek out his previous films tremendously. Tang Wei is absolutely captivating. Many filmmakers struggle to make smartphones into compelling entertainment, but this film understands both how they are practically used in our lives while also making it cinematically compelling.

4. Avatar: The Way of Water

James Cameron is once again the king of the world (that world might be the planet Pandora). Cameron’s long-awaited sequel seems him taking the story to Big Jim’s favorite place, the ocean, and what results is an overwhelming experience. Once the film arrives in the water the film reaches a new level and is so visually breathtaking you can not believe what you are seeing isn’t real. The story is anchored in cliches, in the same way many of Cameron’s works are, but few people better understand to utilize these cliches and archetypes to tell a great captivating story. My favorite character coming out of this movie is Payakan, the Tulkun (aka whale).

3. The Fabelmans

Spielberg tells his own story, and yet does so in a way that I still feel we will never fully know the truth. Here we might get the closest to it, and still it’s hard to know whether this is how he remembers, how he wishes he remembered it, or some combination there within. Some really great performances by Dano and Williams as his parents, who anchor the film and really the backbone of the story of their separation. At one point the film turns into what seems like a broad high-school bullying drama and I was worried momentarily it would lose me however it takes a few really surprising turns here anchored by Chloe East momentarily stealing the movie as “Sam’s” girlfriend. Also, the ending is maybe the happiest I’ve been leaving a movie all year.

2. The Banshees of Inisherin

An achingly funny and achingly bleak film. A story about loneliness, friendship, and the fucked-up nature of Ireland. It features multiple of the best performances of the year in the main quartet of Farrell, Gleeson, Condon, and Keoghan all delivering dimensions to characters that in the wrong hands might come off as one-note.

1. Top Gun: Maverick

Tom Cruise has long been my favorite movie star and this right here is a performance and a film that showcases exactly why. The long-delayed sequel to an extremely weird and almost plotless 80s sensation arrived and blew away everyone’s reasonable expectations. Why did it do this because Cruise willed it into being. He waited to make the movie until he was confident the film actually had a story that could work, he made sure what we saw on the screen were in his words, “real Gs and real speed”, he forced the studio to wait until it could be released in theaters for the world to see because that’s where this film deserved to be seen. I may be overrating this movie but when I walked out of seeing it, it felt like Tom Cruise had saved movies and was showing us a way forward and man that felt important. I hope we take that path.


The Good Times

I write a little something at the end of each in an effort to sum up how I’m feeling about the year or life or whatever. I’ve written about the end of college, global warming, the declining state of affairs here in our beloved republic, Josh Allen, and the movies, to name a few topics.

One topic I’ve never covered in those posts is my birthday, which falls in the first week of the year on a date that now carries a lot more significance than it did the first 28 years of my life. It just never felt important enough to bring up. Birthdays from age 22 to 29 really aren’t particularly meaningful, unless you’re a big car rental guy (not a fan, personally).

In fact, I’m starting to see why so many people over 40 have to actively think about what age they are when asked. Being one year older just doesn’t bring much lifestyle change anymore.

Anyway, now I’m gonna tilt my head back, stroke my beard, and think about what my answer will be when people ask me how old I’m turning next week.

Ah crap, ah shit, oh no. How the hell did this happen? Christ, I can’t believe it.

30. Doesn’t even real right typing it. Doesn’t feel real. Well, I suppose it’s time to cut back on the late nights out, 3 a.m. McDonalds orders, and just fun in general. I’ll have to start going to bed at 10 p.m. and taking vitamins when I wake up before 7 a.m. I have no choice but to formulate some serious opinions on the housing market. Every night out will come with a 36-hour hangover. Damn, this shit all sucks.

I should admit here that I’m yanking your chain a little bit. This birthday didn’t actually sneak up on me – I’ve been well aware since I turned 29 what was coming next. I’ve also known for quite a while how cliché it is to panic at the thought of how little you’ve accomplished around the time of your 30th birthday. The good news for you readers is that’s not what I’m doing here.

There are a few reasons for this. First, I know that no matter how much you’ve crushed your 20’s, you cannot escape the feeling you haven’t done enough. Second, I’m not sure what an accomplishment is anymore (I’ll be coy and mysterious about the third reason). I’m not where I thought I’d be 10 years ago, but who is? I knew even then I wouldn’t spend a career writing for newspapers. How was I supposed to know the online sports and culture writing market would also collapse? Ah well! Easy come, easy go.

So, no, I’m not fretting about all the things I haven’t accomplished since I graduated college. Instead, I guess I’m a little worried about losing the good times.

Way back at the end of 2015 I wrote about how the good times didn’t have to end with my graduation from college. I insisted that life still could and should still be fun throughout your 20s at least, in an attempt to convince myself as much as anyone else. In hindsight, everything I’m arguing is laughably obvious to anyone who isn’t 22. Of course your 20s can be fun!

But that didn’t feel like any kind of certainty at the time. The transition from college – particularly the two weeks leading up to graduation – to real life is jarring. It sucks, frankly. To make matters worse, it took me a good long while to find a job in journalism. I did freelance for a bit and worked at a law firm part time, but I had to work at Mighty Taco to have a steady income source. When I did find a job in sports writing, it took me to Northwestern Pennsylvania and I had to work every Friday.

But I moved back to Buffalo in spring 2016. Despite not finding a cool job covering pro sports or pop culture and my increasingly negative outlook on the state of affairs here in America, I had fun. I drank with my friends, traveled, stayed out too late, bonded with like-minded people over sports. I moved to North Buffalo and fell in love with the Hertel Corridor. I made more friends than I’d ever imagined.

Of course, COVID put basically all of that on pause. I probably don’t need to remind you how terminally dull the first few months of the pandemic was. The next year wasn’t much of an improvement. As I wrote last year, I made a commitment to myself in that time to see as many movies as possible in theatres and I did it.

But I made another promise to myself and it was partly related to what I wrote back in 2015. I didn’t just want to convince myself that life after college could be exciting, I wanted to appreciate the good times while I was living them. I wanted to stop pining for the very recent past. I wanted to embody the Andy Bernard cliché of “knowing you’re in the good old days before you leave them.” Apparently, that’s harder than it sounds because I wasn’t able to do it in four years that followed.

The spring and summer of 2020 gave me plenty of time to reflect on the preceding years and all the fun I’d had. I was almost jealous of that Taylor’s life – hanging out on Hertel bars, taking Ubers to South Buffalo, going on road trips with friends, watching the Bonnies. And yet all my end-of-year posts were tinged with doom and frustration. It was like those good times had never happened, like I was only half-fulfilling the promise I publicly made to myself in 2015.

So, as a I waited with everyone else for vaccines, an end to COVID that wouldn’t come, and a return to normal that mostly would, I told myself I’d focus more on the good times I was in rather than the ones I’d left behind. And, shit, I kinda followed through this time, if you’ll grant me the last six months of 2021 as a mulligan.

I really got everything I could out the last year of my 20’s: I watched my beloved Buffalo Bills disembowel the vile New England Patriots in the playoffs, I ascended to another plane of existence when they won at Arrowhead this fall, I enjoyed the greatest Tennessee Vols football season of my life, I’m currently enjoying the hell out of hosting a twice-weekly Sabres podcasts, I got to watch Aaron Judge all year. I play trivia with good friends most Tuesdays.

I traveled to Ellicottville, New York City (twice), Cleveland (twice), Washington, Savannah, Asheville, and Delaware. I attended Rick Jeanneret’s banner unveiling and his final game. I walked outside Buffalo staple The Old Pink as security wrestled a man with a shotgun to the ground. I was in attendance for the first day of March Madness at Keybank Center and saw four real good games.

I was a groomsman in my cousin/lifelong best pal Quinn’s wedding, and enjoyed every second from the moment he asked me through the Bachelor Party and Stag, to the moment I woke up the day after the wedding with a crushing hangover. Hell, I went to six weddings this year and all of them kicked ass in one way or another.

I watched the Bills whoop the Rams ass in the season opener in a New York City Bills Backers bar, drank entirely too much liquor, and then watched Taxi driver in a cool independent theatre in Manhattan with an absolutely blistering hangover the next day. I saw Metallica in Buffalo with my brother this summer, and they sounded unbelievably good. I had two great Halloween costumes (again). I took my shirt off in sub-freezing snowy weather while watching the Bills beat the Dolphins on a Saturday night.

I watched an unbelievably heartbreaking Bonaventure loss in the Atlantic 10 Tournament in DC this March, stormed out of the arena, and then had one of the best and most memorable weekends of my life regardless. The Bonnies made the NIT as a consolation, took us on an improbably run to the semifinals, and when I was finally confident enough in them to watch them out a bar with fellow Bona alum, they lost. I soothed the pain by coming home to watch Casino in its entirety and having a few more beers. Did I mention I was unemployed for 10 weeks in the spring?

I saw new Scream and Halloween movies some of my best friends (and family). In fact, I saw 55 new movies this year, many of them with some good friends before heading to Moor Room, Checkers, and other bars on Hertel. I was moved to tears (Everything Everywhere All at Once), blown away by visuals (Top Gun, Avatar), devastated in a good and cool way (Banshees of Inisherin), and disgusted to the point of feeling lightheaded (Bones and All).

I watched my friends get married, change careers in brave and inspiring ways, and get ready to become parents. I’ve also stayed out entirely too late at bars with them, especially on weekdays. I’ve seen my friends show incredible strength in the face of unspeakable sorrow and I’ve seen them order entirely too much McDonalds at 4 a.m.

And, for the most part, I made a point to enjoy it. To not think about impending doom, global warming, petty grievances, and the type of good times I’m no longer having. I’m genuinely surprised I was able to keep this promise. Maybe I should I tell myself today I have to lose between 20 and 50 pounds in 2023.

So, as I enter this new decade of living, I’m partly worried that I won’t be able to keep this promise to myself for even one more year, much less forever. But I’m more concerned that these good times won’t last.

It’s an irrational fear, no doubt. No matter what good times you’re enjoying, they won’t last. But new good times are always on their way. The frivolity of youth gives way to whatever the hell happens in middle school, then the various stages of high school and college and your 20s and…well, that’s as far as I’ve gotten. But I imagine things will change. I’ll leave some things behind and pick some new things up. And I hope I can enjoy the latter more than I miss the former.

I’ll enter my 30s knowing more than I did entering the post-college world. I’ve gone to enough 30th birthday parties to know that it’s not some threshold you pass through, coming out more mature and dull on the other side. Life changes slowly and incessantly. The good times never end, they just evolve. The trick is realizing that in the moment. Remembering this, living this – it’s an eternal struggle no different than improving at your job, staying in shape, or being a better person.

So, I probably shouldn’t be scared of turning 30, scared of losing some things I loved about being 29. It’d be far worse to just keep living this year eternally when I’ve already lived it as well as I possibly could’ve. I can only hope that when I turn 40, I look back at the preceding decade knowing that I lived it as well as I did my 20s, albeit in a different way. I might even get back in shape by then too!

The joy my 20s brought me was immeasurable. The sorrow lacks in comparison. If I could eulogize this decade of my life briefly, I’d reference a Wednesday night in October 2017. After leaving a watch party for the season two premiere of Riverdale, I met my good pal Chris Graham at Burning Buffalo for game 5 of the ALDS between the Yankees and Cleveland.

When the Yankees completed an unexpected comeback after being down 2-0 in the series, I involuntarily sprinted to the back of the bar and then back to Chris, a White Sox fan who was nonetheless on my side. Despite the fact that it was Wednesday, we walked to get pizza after the game, and then got Black and Milds to celebrate the win. I was off the next day and went to Burger King for a hungover lunch. I ate my Whopper in the car while I listened to the Rewatchables podcast episode about Scream.  

Life will never be like that again. But if my 20s have taught be anything, life will be interesting and fun in a new way. Probably one I didn’t expect.

I was at my best in my 20s. But I have to believe I’ll be even better in my 30s. And if you care to argue that point, you can find me shirtless in Downtown Buffalo on the afternoon of Valentine’s Day, enjoying the Bills Super Bowl parade. I’ll be happy and I’ll be fun and I’ll be 30.

And I’ll remember that I’m still living in the good times.

Best Stuff I watched in 2021

This was a strange year for culture. Movie theaters reopened, but almost nothing except the major franchises did anything at the box office. TV had some reliable favorites but I continued to watch less than I had in the past so there is very few new shows on my list. Anyway, I’ll start my lists now, and here’s a quick link to my full movie ranking on my Letterboxd account.

TV Shows:

10. This is a Robbery: The World’s Biggest Art Heist

There should be more true crime documentaries about heists and less about murder. This is my request.

9. What We Do in the Shadows

Not the funniest season but pairing Colin Robinson with Laszlo for most of the season is a perfect character combination.

8. Survivor

After the biggest gap between seasons in the show’s history and a great season 40, season 41 had a lot of expectations to live up to. The beginning of the season seemed to be overwhelmed with the pressure and changes, as the game was overwhelmed with a ton of advantages. However, in the post-merge, the season came together incredibly well as social issues intersected with the game and the season had characters dealing with the most interesting moral issues the show has season in many years.

7. I Think You Should Leave

The first time through I thought season 2 there were a few funny sketches but it was a real step down from the first one. However, I’ve now watched most of them again and see I was wrong and that they are insanely funny.

6. Mare of Easttown

A really well-told detective story with some really great performances. The twists were surprising but felt well earned.

5. The White Lotus

I truly believe that The White Lotus, written and directed by Mike White, is about Survivor contestant Angelina who White competed against and is one of the most compelling characters in the show’s history. So you can say I like this show lol.

4. Curb Your Enthusiasm

One of the funniest seasons of one of the greatest comedies of all time. Larry David is unstoppable.

3. How to with John Wilson

I have no idea how to describe this show really. Watching John Wilson navigate a bunch of tasks that inevitably leads him down a ton of weird rabbit holes is one of the most honest depictions of being online I’ve ever seen, even though the show doesn’t feel online in any particular way.

2. Succession

There were times when I thought this was a bit of down season after the highs of the first 2 but in the last few episodes the show reminded everyone that this might be our last truly great show. It’s just an outrageously funny portrait of an insane family but somehow the show makes you feel real sympathy for almost all the members of the Roy family.

  1. The Beatles: Get Back

I didn’t know whether to put this as a show or a movie but either way, I think it is the best thing I watched in 2021. It is just incredible to watch the biggest rock band of all time and feel like you are hanging out with them. You get to see them come up with incredible music on the spot. You get to see them argue with each other, laugh with each other, and in the end, you really feel like you know the four guys. Also, you get to see how Ringo is just the coolest man alive.


10. Wrath of Man

This seems surprising to say but I found this to be one of the most subversive movies of the year. Guy Ritchie and Statham are a director and a performer I had thought I had down pretty well. Ritchie has a certain comedic flair and Statham usually draws along that as well. However, here Ritchie eschews the comedy to live in the filth and horror of the violence that often exists in these movies. It is a really dark movie that really surprised me and showed me different layers to the actor and director.

9. Benedetta

Paul Verhoeven is a maniac. This is one of the more fascinating movies about what “faith” exactly means in the world.

8. The Power of the Dog

I liked this movie but didn’t love it when I first finished it. However, I finished this in 2 sittings and lost much of the narrative momentum that was building. I have thought about the ending a lot since it came out and think it is the year’s best. I also wasn’t sold on Cumberbatch’s casting at first but the way the movie defies your expectations to make him a perfect fit.

7. West Side Story

Steven Spielberg knows how to frame a shot and move a camera like no one else on the planet. I have never seen the original movie and generally am not a huge fan of musicals but what Spielberg accomplishes here is just undeniable and if you are at all interested in seeing this I would really recommend seeing it on the big screen.

6. The Card Counter

This is a Paul Schrader movie through and through. The story of a lonely man, trying to build any sort of human connection while his own past and his own damaged soul try to prevent it from happening. An extremely bleak picture but a worthwhile one.

5. Dune

This was probably the movie that I was most anticipating and most worried about this year. However, Denis Villeneuve delivers in a massive way, adapting the first half of the epic novel Dune in half and delivering one whole terrific story. The movie somehow captures the essence of the incredibly dense novel without being weighed down in a ton of exposition. The production design in this is incredible feeling so incredibly textured and almost real. I can not wait to see how Denis tells Part 2.

4. No Sudden Move

No one alive is better at making heist movies than Steven Soderbergh. He just has impeccable style and is able to tell a multi-layered movie with so many interesting characters from so many dynamic points of view seamlessly. I would love to get one of these a year for the rest of my life.

3. The Last Duel

This giant medieval epic about a knight who accuses another of raping his wife is both the type of movie that feels like it doesn’t get made anymore and also a movie that is perfectly rooted in the world of today. Telling the story from 3 perspectives, it’s fascinating to see the layers in each story and what it brings out of each performer. Jodie Comer is the heart of the movie and deserves a ton of accolades. Ben Affleck also gives an incredible performance and is having the time of his life in this extremely dark story.

2. Venom: Let There Be Carnage

Objectively this movie is much worse than every other movie listed here on most criteria. However, watching this in a theater is probably the most fun I had in a theater in 2021. This movie leans into the best parts of Venom, Eddie and Venom’s goofy relationship, and Hardy’s insane voicework and quadruples down. Venom at the rave is what cinema is all about.

  1. Licorice PIzza

Paul Thomas Anderson might be the most gifted filmmaker alive and this coming of age story matches up strongly with the rest of his work. Relying on two first-time actors (Cooper Hoffman and Alana Haim), Anderson is able to seemingly capture a real moment in time and tell a story that might seem small in comparison to something like Boogie Nights or There Will Be Blood but captures the true essence of humanity. Also one of the funniest movies of the year with some great small appearances from some amazing actors, most notably Bradley Cooper as Jon Peters.

Sorry, I Was at the Movies

I didn’t expect to tear up and I was a little embarrassed to do so. But at that moment I couldn’t help it.

It was the final stretch of the iconic slasher Scream and Sidney Prescott had just gotten away from her tormentors long enough to call the cops and turn the tables on them. She donned a black robe, hid in the closet and called to tease them. When one of the killers told her he’d “rip her up” she responded with one of my favorite horror movie lines.

“You have to find me first, you pansy ass momma’s boy.”

I’ve probably seen Scream close to 50 times. The first time was back in 1997 when I was four and my dad rented it for me and my brother at Blockbuster. I got obsessed with it in middle school and then got back into it in college. My girlfriend and I dressed as characters from the movie a few years ago. I watch it annually, it’s among my very favorite movies.

But this time was different. I was watching it in a theatre – Flix in Lancaster to be exact – with a group of my best friends. We were there to surprise my cousin for his birthday since Scream is also one of his favorites. His fiancée rented out the theater and brought a DVD from home. It was my first trip to the movies in 422 days.

So when Neve Campbell’s character uttered that line, I felt a little overwhelmed. After 14 months of masks, precautions, canceled events, death and boredom, there was a light at the end of the tunnel. I was fully vaccinated in a theater with all my friends, ready to sprint headlong into what was sure to be a memorable summer and fall. COVID was going to dissipate until it was irrelevant, summer would feel like a two-month party and I could finally return to the movies.

If you’re reading this, you know how the next eight months played out. Maybe you felt a similar misguided optimism that you’ve long since shed. I don’t need to tell you COVID is still here and wreaking havoc just like I don’t have to tell you how dire the political situation in our country feels. And if you’re a film fella like me, you don’t need to be reminded this year’s slate of American cinema was a mixed bag.

Still, when I look back at 2021, I think I’ll remember my time spent at the movies more than anything. This isn’t the first year I spent a lot of time at the theater. I had Moviepass in 2018 and got Regal Unlimited in 2019 after the greatest app in the history of technology unsurprisingly went out of business. I saw roughly 25 movies in theaters in 2019 and then caught up on all the Academy Award Best Picture nominees before the award show in early February 2020. On March 6, I saw Invisible Man, which was an absolutely fantastic modern horror movie.

Five days later, I flew to New York City the day the NBA shut down. Every other sports league shut down over the next 24 hours, and the entire country followed over the next two weeks, the movie industry included.

It was far from my biggest concern at first, for obvious reasons. But as we moved from a lockdown to a more loosely restricted life, theaters in New York remained closed and only very small budget films studios cared little about debuted in other states. Watching nearly every other film be delayed indefinitely or pushed back multiple times started to weigh on me. It made sense, but I hated that I spent more than a year of my life without being able to go to a theatre. Early in 2021 I resolved to see as many movies as I could when theatres opened.

So, I did. I tried my best not to think too much about what appears to be an irreparably broken federal government. I ignored a mostly disappointing Yankees season. I watched fewer games across sports than I have in years, despite not being particularly busy with work. With less than 12 hours left in the year, I’ve had 42 trips to the movies. I’ve seen about 60 new films overall and I’ve watched more than 100 movies that I hadn’t previously seen. I guess I wanted to make up for lost time.

About three weeks after Scream, I went to a 10th anniversary showing of Scott Pilgrim vs. The World at North Park Theater on Hertel. Like Scream, it was my first time seeing it on the big screen. I saw my first new movie a few days later – Spiral: From the Book of Saw. It was far from great, but it felt so good to be back at my local Regal Cinema, using my unlimited. I know it’s a corporate chain, but it felt like visiting an old friend. Then on the last Thursday of May, I joined a bunch of friends to see A Quiet Place II at North Park. It was the first big budget release, save for Tenet, since COVID really took hold. The fact that it was filmed in Western New York made it even more special. It felt like movies were back.

The summer slate left a lot to be desired, which I suppose is not out of the ordinary in the past few years. The new Conjuring entry, Black Widow, In the Heights, the Escape Room sequel and the Anthony Bourdain biopic were all forgettable and middling.

Then one Thursday night in late July I was looking for something to do. I didn’t have to work the next day, and all my friends did so a drinking night was probably not in the cards. There wasn’t much of a selection available at the local theaters and I don’t think anything particularly interesting was debuting that night. I noticed there was a movie call “Pig” that had about a 10 p.m. showing at the Galleria Mall. I’d heard exactly one good review from someone I trusted, but knew nothing about it. I read a brief description about a man played by Nicholas Cage trying to get his pig back. I was sold.

I went in expecting a fun, dumb action flick – a Nic Cage special. Within the first few minutes, I knew I was off. It was expertly shot and patient. Cage’s performance was deliberate and understated. About a half-hour in, I was fully engrossed. And then the fire alarm went off. Me and the two other bearded, late-20’s white guys left the theater and joined the crowd seeing Fast 9, Escape Room and GI Joe: Snake Eyes. It turned out a guy had lit up a blunt in one of the theaters. But it took the fire department forever to respond. By the time they did, no one was interested in staying for their movie.

I knew I had to go back the next day. I showed up back at the mall for an afternoon showing. I explained to the confused worker that it was OK that I was a half hour late as I’d already seen the beginning. I walked in at almost the exact point I’d walked out the night before. I was right to come back. It was a beautiful film with multiple stunning performances. I think of some of the lines almost weekly. Although I heard little about it after, and it disappeared from theaters as quickly as it arrived, I felt incredible leaving the theater that Friday afternoon. It was almost like I was grateful having been able to see it.

I saw a fair amount of movies at home this year too. There were some triumphs – the Fear Street trilogy on Netflix felt perfectly tailored to my tastes. Untold: Malice at the Palace was everything sports documentaries are not in 2021. But there were disappointments too. HBO’s Woodstock 99 doc was an abomination. Red Notice was…well, I guess it’s my own fault for watching it.

And the disappointments weren’t limited to direct-to-streaming releases. The fifth Purge and second Don’t Breathe films were a mess. Sopranos was perhaps the greatest and most important show in television history and i’s cinematic prequel was bizarre, overstuffed, dull and, frankly, pointless. I enjoy any time I get to spend with my pal, Michael Myers, but Halloween Kills was not well done. Antlers was boring. Last Night in Soho and Candyman fell apart in the third act.

Meanwhile, nearly every original idea failed at the box office. Plenty of sequels and franchise fare failed too. Almost all of the highest grossing films of the year were superhero flicks (sadly, the best superhero film of the year, Suicide Squad, completely tanked). The only true hit of the year, Spiderman, made Scorsese’s “theme park ride” point more eloquently than he ever could have.

Despite all good times I had at the theater, and the dozens of good and fun films I didn’t mention here, I couldn’t help but feel profoundly bummed. Existing IP and franchises are king, and the middle class of movies have nearly totally disappeared. To make it all the more depressing, those things barely seem to register with most people. They don’t want whatever the 2021 version of Seven or Basic Instinct would be. They’re more than happy to treat each new Marvel release as a WWE show.

Twitter arguments on this subject tend to be as insufferable as Twitter arguments on any topic. One that seems to stand out is that people like me are pining for a time when films were made almost entirely by straight, white men. They’re not entirely wrong in their critique. And the point seems to be that they’d pick the present state of affairs – more IP, less creative control, but more diversity specifically on the directorial side – over what we had in the past.

But I reject that as a binary choice. When I think of the New Hollywood era of the 1970s, the Blockbuster boom of the 80’s and just the entirety of American film making in the 90’s, I don’t just see the lack of diversity as any kind of strength. But when I consider what we had in the past, what we know American filmmaking is capable of even when just a small percent of the population is allowed to turn their vision into a reality, I see limitless potential. Imagine a world where studios go back to trying to make good and interesting movies that turn a profit, but with every kind of person having the ability to bring their idea to life. Imagine if Ryan Coogler, Chloe Zhao and Nia DaCosta didn’t have to immediately turn to Disney if they wanted to every make a film with any kind of budget. But I know it’s just a fantasy, not likely to happen soon or even in my lifetime.

Despite all of that, I spent nearly all of December excited for one last Hail Mary to save the year in film: Licorice Pizza. Hell, I’d probably watched the trailer two dozen times since it was released in the fall. I can’t hear Life on Mars without seeing the scene from the preview in my head. In a cruel twist, it was released in New York and LA early so I had to hear the discourse about it for weeks before I could see it for myself.

The day after Christmas, to celebrate a Buffalo beatdown of the vile New England Patriots, I visited the Amherst Dipson (the seventh theater I’ve been to this year). I sat in a large, comfy chair and took it all in. I was delighted the entire time, blown away by the performances of two leads who had never even been in a film before. It was funny, it was touching, it was weird, it was uncomfortable at times, it was beautiful to look at it. And I felt it again: gratitude. I felt grateful to be watching that film at that theatre on that day. I felt lucky to have been able to have seen so many films I really liked and quite a few I didn’t enjoy at all. That feeling proved to me that 2021 was not a 2020 redux if for no other reason than the time I spent at the movies.

This is the 10th year in a row I’ve written an end-of-year piece like this. I used to write about sports, and then about my life and then politics and climate change and finding ways to hold on to fading hope. If you’re disillusioned about sports, I can empathize, but I cannot help. If you’re despairing about the state of the world, same. But if you’re disappointed about the state of big-budget cinema, I do have some advice. Seek out interesting work, take chances on films that look weird. See that French body horror flick. Check out the poker/regret/prisoner of war torture movie. Try to find out if a film about a beach that ages you rapidly is as stupid as it sounds or actually kind of fun.

Go to the movies.

Best Stuff I watched in 2020

Well it has been an odd year to say the least. Since movie theaters weren’t open I watched way less new movies than I normally do but I still felt compelled to make a list of mostly movies I had to rent or watch on streaming. I oddly watched less TV than other years as well but I definitely felt their were at least 10 great shows. I mostly watched old movies since quarantine began and if anyone is feeling like a real nerd they can get my takes on all of those on my Letterboxd account. So without further ado here are my lists.  

TV Shows:

10. The Queen’s Gambit

As a chess lover I was destined to at least like this show but it is really well made. Ana Taylor-Joy is a star, they do a great job with the world building really visualize the games in an interesting way. My one complaint is that I wish they delved deeper into the strategy of her games but I can see why someone uninterested in chess probably wouldn’t care about that.

9. Curb Your Enthusiasm

Great season of Curb, Larry David is one of the funniest human beings alive and he delivered with the newest season. I particularly loved the Jon Hamm episode who really fit perfectly into the show.

8. The Mandalorian

I wish I could watch 25 episodes a year of Mando and Baby Yoda doing the classic western story of the week stories where Mando helps a new planet and Baby Yoda tries to eat stuff and sometimes uses “The Force”. As a Star Wars fan it really delivers everything I could want in a tv show.

7.  The Boys

I’ve described the show as both “Superheroes but late capitalism” and the favorite show of 15 year old me. I could probably keep it at that but I do really enjoy the brutality and cynicism of the show, even if it probably isn’t quiet as clever as it imagines itself to be.

6. The Last Dance

I think the proper way to think of a documentary like this is as an autobiography and if you look at The Last Dance in those terms there is really very little more you can ask for. The combination of incredible behind the scenes footage of MJ from the 90s with the interviews today where he is able to layout his perspective and mostly his vendettas against every “rival” is one of the most entertaining things I’ve ever watched.

5. Devs

I am a sucker for the existential sci-fi vibe that Garland pulls off. Ex Machina and Annihilation are two of the best movies of the last decade and this only adds to my appreciation for him. I do think this still probably would have worked better as a film but I was completely engrossed in the strange and sad story that unfolded here.

4. Survivor

This year we only got one season of Survivor instead of the standard 2 but the season we got more than lived up to the hype. Survivor Season 40, an all winners edition of the show, truly fulfilled my expectations in almost every way. The cast of all winners was both supremely entertaining and playing the game at a supremely high level from the very beginning. I could quibble about at times confusing editing, the overabundance of twists or a middle stretch of the game that saw multiple of my personal favorites leave. However, this season had real emotion moments throughout, had the single best episode any player has had in the history of the show, was insanely funny at times and left us with a winner that I think in many ways fully encompasses what I and so many love about Survivor.  

3. What We Do in the Shadows

I’m not sure if I ever would have expected a show about vampires in Staten Island to be one of my favorite shows but this is the world we are living in. The show is just so funny and delivered the best Mark Hamill cameo of any show in 2020, thank you Mr. Jackie Daytona, regular human bartender.

2. The New Pope

I think The Young Pope might be my favorite single television season ever. I’m not sure any show has every moved me or made me laugh in the way The Young Pope did. I do not believe The New Pope is quite that good, it is still outstanding do not get me wrong, I love Malkovich, I loved the weird world of the Vatican all of it. However, for one episode, episode 7, it becomes transcendent. The entire season feels quite inspired by the brilliant Twin Peaks: The Return and that episode more than any other feels the most of a piece with that. I could go on but all I have to say is:

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1. Better Call Saul

What an incredible show. A Breaking Bad spinoff based on a Walter’s sleazy attorney had no business being this good. So many people have said that before but it is worth reiterating. The greatness of the show is mostly due to the fact that Kim Wexler has become the most compelling character in the world of these two incredible shows. I could go on forever about how great Rhea Seehorn is in brining that character to light and making someone who I care about so deeply. On top of that, the rest of the cast is incredible (including obviously Odenkirk as Jimmy/Saul), the direction is probably the best on tv and the writing is brilliant. This show is amazing, everyone should watch it, whether you are a Breaking Bad fanatic or have never seen an episode, the show is just truly incredible.

Layers of Kim Wexler's Finger Guns and What's Next? - Slackie Brown Sports  & Culture


10. Borat Subsequent Moviefilm

VERY NICE! I really don’t have a ton to say about this except Borat is very funny and I’m glad Cohen found a way to make the sequel funny.

              9. I’m Thinking of Ending Things

I can’t say that this was a pleasant movie to watch or that I would recommend it to everyone but it is without question an interesting movie. At times I was extremely moved by this very strange Charlie Kaufman movie and at others I’m not sure I really got the point. Buckley and Plemons are really great in it though.

              8. Palm Springs

I love Andy Samberg so I was always going to check out his Groundhog’s Day homage but this one really works. Him and Miloti are great together in this, Conner O’Malley is a comedic force of nature that can not be contained and overall it is just a really entertaining movie.

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              7. The Way Back

This is a classic sports movie and both delves deeply into clichés but also subverts them in a few interesting way. Affleck is great in this and is really the reason I think the movie is worth checking out.

              6. The Vast of Night

I am a sucker for a director doing a low budget Spielberg homage but really this is one of the best ones I have seen. This is incredibly well directed, with some of the most uniquely shot sequences I have seen all year and would recommend to anyone who is looking for a great thriller.

5. Mank

MANK! Ok besides the fact that Mank is funny to say, say it out loud it really is, Mank is really great. Fincher basically turns a movie about the writing of Citizen Kane into some vendetta about the 1934 California Governor election and somehow that totally works. Also Amanda Seyfried is amazing in it and I wasn’t sure she had a performance this great in her.

4. Let Them All Talk

Soderbergh is probably my favorite working director and he makes everything so easy. This movie seems like the type that I generally wouldn’t be that interested in based on the topic, it is mostly about 3 older women on a cruise, but Soderbergh’s direction makes it extremely compelling. There are sequences in this movie that I enjoyed more than just about any of his movies this side of the Ocean’s trilogy.

3. Tenet

I really miss going to movie theaters. I just watched this within the last 2 weeks and I really had the feeling that this would have been awesome to watch in a theater. Even watching it on tv I thought it was an amazing spectacle the likes of which it so rarely get made today. I can’t claim to fully understand what went on in this movie but I mostly do and I don’t think the rest really matters.

2. Da 5 Bloods

This movie is just pure Spike Lee and one of the most interesting movies I’ve seen in the last few years. Delroy Lindo gives one of the most magnetic performances I’ve ever seen with the most fascinating character in any movie this year. Both an adventure film and a war film, Spike brings his style and vision in  a way that no one else can.

1. David Byrne’s American Utopia

Talking Heads are my favorite band ever and so this was something I was always going to be interested in. Seeing the live performance of American Utopia is the coolest show I have ever seen and I didn’t fully no how it was going to be as a concert film. Spike Lee captured almost everything that made the show powerful and what makes David Byrne magical. There is no one I prefer listening to sing or watching perform than David Byrne a miracle of awkwardness and confidence. American Utopia has to live in the shadow of the greatest concert film in history, Stop Making Sense, and it really fulfills its legacy as a worthy successor to that. Also congrats to Spike Lee for making my two favorite movies of the year.

2020 or How I learned to stop being right and love Josh Allen

I missed most of “The” Nathan Peterman game. Any Buffalo Bills fan and most even casual NFL observers know exactly which game I’m referring to here. While Peterman’s distinct strain of incompetence shone bright nearly every time he stepped on the field, there was one game that stood above the rest and became perhaps the most memorable three hours of the team’s 17-year playoff drought.
Angry about the circumstances that led to Peterman becoming the starter in Buffalo and confident that he would not be the answer at quarterback, I planned to see “Murder on the Orient Express” at the North Park Theatre on Hertel Avenue in Buffalo around the same time the Bills and Chargers were scheduled to take the field in a week 11 matchup. I was able to catch Peterman’s deflected pick-six and desperate heave of a second interception in the first five minutes of the game before heading out.
While I was distracted by a perfectly-OK but mostly forgettable Agatha Christie adaptation, Peterman once again made an ill-advised pass attempt while being hit and was intercepted again. Then he had an out route jumped for another pick. Desperate near the end of the half, he threw yet another interception.
Five interceptions in one half. Nearly as many picks as completions (six). More than regular starter Tyrod Taylor had in the first nine games of the season.
By the time I walked out of the theater into a fairly cool November night, Peterman was the talk of Twitter. People from all corners of the sports world were dunking not only on the rookie fifth-round pick, but on the Bills for starting him when the team had a chance to break a nearly two decade playoff drought and an adequate starter in Taylor.
I felt so vindicated, as did many of my friends. We were right about Peterman the entire time, more right than we knew. I remember tweeting that being right all the time was not fun, but a tremendous burden.

This March, I made the remarkably stupid decision to go to New York City just as COVID was really heating up. Within hours of touching down at JFK, the NBA shut down, Tom Hanks announced that he had contracted the virus and COVID finally got America’s full attention, something it has not yet relinquished.
By the time I got home four days later, it was clear that this was going to be a horrific ordeal. Even for someone as scientifically illiterate as me, it was easy to understand that this disease was more contagious than your average virus and also significantly deadlier. Italy was already dealing with hundreds of deaths per day.
Apparently, many people couldn’t do that simple mental arithmetic or just didn’t want to. If you aren’t just waking up from a year-long coma, you know how that unfolded over the past 9 months. As I type this, roughly 340,000 Americans have been killed by the virus and that number is growing faster than it ever has.
I didn’t know in March that we’d still be dealing with packed hospitals and overflowing morgues through (at least) the New Year. But as I read a New York Times article at the kitchen table that had suddenly become my work space, I knew thousands of deaths were coming. I knew it was mostly preventable. And I knew it would be mishandled.
Being proven right is not much of a comfort these days.

In late April 2018, I was lucky enough to witness the beginning of the Josh Allen era from the Buffalo Bills Fieldhouse. Four months removed from the Bills’ first playoff appearance since the Clinton Administration, I was pretty confident the franchise was heading in the right direction. All the Bills had to do was draft one of Baker Mayfield, Josh Rosen, Sam Darnold or Lamar Jackson and I’d be sold. I felt better about the team than I had in years. I finally cheered for a good football team.
The Bills destroyed all that emotional goodwill they built up with me when they took Josh Allen – an unimpressive, inaccurate, big arm from Wyoming. His college stats were nowhere near good enough to justify a top-10 pick. He came off as infuriatingly earnest. Old tweets dug up on draft night made him look dumb. He had the face of a 12-year-old. I dramatically told people that I no longer cared about the Bills.
Like any sports fan, I’m wrong plenty. I thought the Warriors would destroy the Cavs in the 2016 NBA Finals. I was sure Tavaris Jackson was going to be a Pro Bowl quarterback. But when it comes to negative, big-picture takes about one of my teams, I don’t really miss. I guess this comes from having a more pessimistic disposition, but also an inability to lie to myself. This probably seems like bragging, but I promise it’s not. I’d gladly trade brains with someone who earnestly thinks the Sabres could win their division next year.
It took just over two years for Allen to prove me wrong. Fully completely wrong in every way. Nearly everything I said and thought about him in 2018 seems insane now. He even has a little facial stubble, so he doesn’t really look 12 anymore. More like 15, I guess.
The Bills have been one of the very few good things about 2020. For the first time in my memory, they’re as good as anyone in the league. We can talk about the Super Bowl without it being a joke or a story from three decades ago. I can barely believe this even as I type it.
Elsewhere, the worst pandemic in more than a century seemingly only gets knocked out of the top billing in the news cycle when something worse or more troublesome happens. The murder of George Floyd led to one of the most widespread protests in American history and sparked conversations about reforming, defunding or even abolishing police. Of course, the primary and then general election naturally led to conversations about Medicare for All, eliminating student debt, free public college and other ambitious policy goals.
But these aren’t just interesting ideas that would be nice to have in place someday. The popularity for each policy has risen due to need. We have student debt crisis in America. We have millions uninsured, underinsured or in danger of being uninsured if they lose their job. Workers make less every year and CEO’s make more. Minimum wage has been stagnant in many places for a decade. In cities across the country, police too often do not face consequences for wrongdoing. We have thousands of gun deaths every year. We’re in the midst of an opioid crisis. Transgender people are killed and kill themselves at disproportionate rates. There are dozens of other issues I could add here.
Of course, there’s also a ticking clock on global warming. None of what I mentioned above really matters if human life is no longer supported by conditions on Earth.
All of these problems seem even more intractable in light of our response to COVID. It’s easy to look at an election between Joe Biden and Donald Trump and feel like change is impossible. Like launching major government programs that make people’s lives better is something that we used to do as a country, not anymore. It makes mentally checking out seem appealing. Just accept that we’re in a nation in decline and enjoy whatever’s new on Netflix.
As silly of a comparison as it is, this all feels to me like the late-aught Bills. Any success is solidly in the rearview mirror and it’s getting harder to convince yourself there’s anything positive to look forward to. We’re a 7-9 country now. It’s not hard to see Biden’s transition into office as Trent Edwards running out of bounds for a two-yard gain on fourth-and-10.
But, my powers of prediction aren’t what they used to be. Josh Allen is an MVP candidate, the Bills are hosting a playoff game and the Patriots are dead.
Here’s to being proven wrong more in 2021 and beyond.


As the decade zips to an end, I’ve thought a lot about the late 2009 and early 2010 version of myself. I’m usually amazed at how different I was in good and bad ways. I didn’t have a big beard, I didn’t even have facial hair (nerd). I was about 60 pounds lighter, and could run a 5K significantly faster. I regularly put away thousands of calories of McDonalds away at a time, but more than a couple beers were hard to hold down.
I also have completely different tastes and opinions with an unrecognizably different outlook, as you would expect from someone who has aged from almost 17 to almost 27. I like the NBA more, I can write a little bit. I can drive now. And I’m a tad more responsible.
One of the only ways I can relate to beginning-of-the-decade Taylor is our shared impending feeling of doom and lack of long-term hope. Of course, the causes are completely different so maybe we wouldn’t be able to talk about that if we ever met. Maybe I’d just have to lecture him about being more responsible on Facebook and handling the next few years of dating better.
When I remember the way I thought earlier in the decade, I have a hard time wrapping my head around it. I was generally happy. I had a long-term girlfriend for the first time. I was making a lot of new friends. I had my old friend group, which I still have now. I did pretty good in school. I mostly had fun on the weekends, and rarely got in trouble. I played sports and went on Facebook and hung out at McDonald’s with the fellas.
Any reasonable person would look at that and see someone who has an at least decently-bright future ahead of them. College should be a given, more friendships, maybe a hobby, probably a good love life or at least consistent dates. And, for the most part, that’s what happened. No surprises, really. I didn’t end up at Harvard, but I didn’t drop out of college either. I have a lot of friends, a good enough job in a field I enjoy and a girlfriend of nearly six years.
None of that should surprise 2010 Taylor, but it would have. I very rarely thought of my future, which is insane, because it was right there coming for me. When I did, I didn’t assume I would get married or hold a job or go to college or even live that long. I wasn’t suicidal, but I couldn’t see any kind of future. It didn’t exist as far as I could tell. Sometimes I would get nervous that it meant something bad.
That only got worse in the fall of 2010, early in my senior year of high school when I went through a breakup that kick-started a period of me more or less acting like a completely different person for months. I was depressed, but also acting out. I had a terminal case of senioritis and applying for college felt like too much.
I got lucky that my high school had a yearly trip to St. Bonaventure that allowed my lazy ass to finally visit a school, with it just so being one that I immediate fell in love with. I visited two more times and eventually committed. Meanwhile, the spring came and I kicked out of my funk. I started to see the bright side again.
I committed myself to doing well in school, making friends and having as many experiences as I could. My freshman year couldn’t have gone better. I joined the school newspaper, fell in love with writing and changed my major to journalism. I made more friends than I thought possible. Through a rocky sophomore year, another breakup and a revealing first few months as a junior, I like to think I became a better and more empathetic person. I paid more attention to issues that didn’t directly affect me. I learned that most people had it harder than me, and that I should recognize when and why those hardships come.
I also, for the first time since fall of 2010, started to feel like I understood myself again. I got a good internship, started a relationship that is still ongoing and generally felt like I had things figured out.
After an incredibly-fun senior year, I went out in the world and, uh, it sucked. Post-college life is significantly less fun than the four years that come before it. Finding a job was hard. The journalism industry isn’t paying super well, if you haven’t heard.
But I eventually found a gig and then a better one. As I settled in and started to think about getting an apartment, the culmination of an 18-month political fever dream occurred: Donald Trump was elected president. I was devastated and my understanding of the time and place I inhabited changed drastically and immediately. If you read the pieces that I wrote at the end of 2016 and 2017, you know how that made me feel. You also know how graduating college made me feel in 2015, I suppose.
Last year, I wrote about a recently-released report from the Intergovernmental Panel on Climate Change. It stated, among other horrifying things, that we realistically had about 12 years to reverse our carbon output to the point that we could save human life as we know it on this planet in the long term. One year down and not much has changed.
Throughout every trouble I faced after late 2011 or so, I had hope. It stayed with me through personal troubles, that hellish election, the first two years of Trump, my struggle to find a job. Through all of that, I had hope for the long term. Arcs of Justice, things of that nature.
As the decade closes, I’m not so sure anymore. This isn’t a looming threat the way a financial crash or market bubble or particularly-deadly-looking hurricane is. There’s no third way here. There’s no negotiating. There’s no compromising with the climate. There’s public option for the planet. And there’s coming in to clean up the mess after the disaster. There’s only one way to go about this, and it goes against the last 40 years of political action, belief and prevailing theory in this country.
This decade is going to start with a presidential election, which will of course, set the tone for what America and the World will be like over the next four years. But our action or lack thereof toward fighting climate change beginning right now with the start of this new decade will determine how we’re feeling writing look-backs in Dec. 2029. It will determine whether the next generation feels comfortable having children. It will determine whether certain cities are habitable in 40 years.
I can’t lay out exactly what needs to be done for us to get through this, but luckily there are many smarter people than me who do this sort of thing for a living that can answer these questions. I do know this: successfully fighting against this sort of existential threat will require a drastic reshaping of American life for nearly everyone. It will require immense political courage and personal sacrifice. It will mean that nearly everyone in the country, from all sides of the aisle and walks of life will need to be on board and understand that this is the only way. And it will likely required America successfully using its considerable global influence to force other countries to make sacrifices and comply.
I’m skeptical.
This decade made it clear to me that my early feeling of dread toward the future was baseless, at least at the time. But the last year or so has made me question whether the same is true of my mid-decade optimism. Maybe impending doom was the right call all along.

All 30 movies I saw in 2019…ranked?

Well, hello friends. I suppose it’s the end of another year. I’m not sure how this happened, but it seems it did. Last year, when I wrote for this procrastination-themed blog, I promised to get a hobby or at least consider the idea, but I didn’t and here we are. I watched 28 shows and 30 movies. It’s late December and I have some takes on said TV and movies

As always, this is a ranking of every movie I watched this year.  So, those ranked near the bottom aren’t necessarily the worst, but something had to be down there. Rankings are based on a combination of how much I enjoyed the work, how good I thought it was objectively and how much is resonated with me. Anyway, hope you enjoy.

  1. Star Wars: The Rise of Skywalker
    I should state up front that I’m neither a jaded former Star Wars stan upset with the direction of the series or someone who has always hated the series and resents the place in culture that it occupies. I enjoyed Last Jedi quite a bit and Force Awakens enough. I did start to get concerned a few months back that the two movies barely seemed like they were in the same series and didn’t really build to a coherent end to a trilogy. I didn’t know the half of it.
    The choice to bring the Emperor back and introduce him in the opening crawl was prequel-level stupidity, with a new layer of lazy cynicism. Not only is it tiresome and creatively bankrupt, the decision essentially nullifies Anakin’s entire storyline and Luke’s heroics in Return of the Jedi. There are a host of other issues, including but not limited to the weird use of Leia post-Carrie Fischer death, the inexplicable appearance of new powers that negate much of what occurred earlier in the series, piss poor dialogue, inexplicable erasing of key plot points from the far superior previous movie and a movie that was so jam-packed with plot it was nearly impossible to follow.
    One of the major stories of cinema in 2019 was Martin Scorsese’s criticism of Marvel, which set off debates that travelled in a number of different directions. Yes, Scorsese was right about Marvel for the most part, those movies don’t belong in the Best Picture discussion. But the vitriol toward those movies would be better served being aimed at Disney’s handling of Star Wars. Marvel movies aren’t high art, but they’re entertaining, rarely miss and are consistently getting better. They told a coherent story over the course of 11 years, and did so while satisfying nearly every fan of the series. Star Wars, on the other hand, is far more nakedly cynical and less interested in creating something, choosing instead to coast off movies that are roughly four decades old. They ruined one of two good Star Wars movies of the past 36 years in an effort to make things easier for JJ Abrams and placate the series’ loudest and dumbest fans. I could go on for a few hundred more words, but I think this will suffice: this series should have ended in 1983.
    29. Ma
    As a fan of horror movies with modern, original and uncomfortably weird plots, I was pretty excited to see Ma. A lot of the movie was even enjoyable, but it did not come close to sticking the landing. Aside from the third act blunder, there were a few plot points that bothered me. None more so than one of the murders that takes place and is just not addressed. Nothing is worse in a horror movie than there just not being any consequences to a villain’s actions. Also, Juliette Lewis as a normie mom? What? Why?
    28. Fighting With My Family
    This movie was not bad in any way, but I guess something had to be 28th. This mostly true story of the rise of WWE Superstar Paige, who was chosen from an English tryout at the age of 18. She had a meteoric rise to becoming the youngest WWE Divas Champion in history at age 21. It’s a fun and sweet watch.
    27. Detective Pikachu
    This movie was not meant for childless 26-year-old men, but I actually enjoyed it a lot. About 20 years ago, Pokemon was just about my favorite thing in the world, so it was surprising to me just how man of the Pokemon I remembered. Ryan Reynolds was a perfect choice to voice Pikachu.
    26. It 2
    The first part of this series, released in 2017, was both very good and culturally relevant as one of the highest-grossing horror movies of all time. The kids that made up the Losers Club were perfectly cast, and it was the dynamic between them that made the movie. That’s the beginning of where this one fell short. It’s just not as interesting to watch a bunch of adults work together to defeat an ancient evil. The retcon of Stanley’s shower cap being important to him was a bizarre choice. The run time was pretty daunting considering how little action we get.
    Although, I didn’t hate it. There was one death that was unexpected and vicious, I actually gasped in the theatre. Stephen King showing up was cool. Bill Hader gave a phenomenal performance as Richie and somehow became the emotional center of the movie by the end. It was a fine movie, but it could and should have been better.
    25. Captain Marvel
    Hey, pretty good! Brie Larson, Samuel L. Jackson being digitally de-aged! Ben Mendelsohn and Jude Law were both very good. There was a nice kitty and cool music. I enjoyed myself watching it.
    24. Bash Brothers
    This is not really a movie, but it’s also not a TV show so I wasn’t sure where to put it. This 30-minute extended Lemonade-style music video about the 1988 Oakland A’s duo of Mark McGwire and Jose Canseco was released by the Lonely Island with almost no notice one day back in May. It’s absolutely incredible, weird and delightful for the entire half hour.
    23. Spiderman: Far From Home
    A fun and easy watch, especially in comparison to Endgame, which came just before it. It’s a nice change of pace in the Marvel series to be dealing with teenagers as opposed to the fake CIA or fake Air Force or whatever else. Zendaya is as unbelievably likable as she is in everything, as is Tom Holland. Jake Gyllenhaal is overqualified as the villain here. Plus, an old friend shows up near the end.
    22. Let It Snow
    If you didn’t catch it this December, consider throwing it on for a breezy and enjoyable Christmas season watch. It’s like if Love, Actually mostly involved kids and was also way better. It’s a sweet and comforting movie that for some reason features Joan Cusack just acting like herself, except as a plow driver.
    21. Child’s Play
    I enjoyed this movie quite a bit when I first saw it. Unlike the horror reboots of late last decade and early in the 2010’s, Child’s Play had a reason to exist. It told a story that different in key ways. First of all, it was not supernatural. Chuckie is a digital creation, which feels much more realistic in 2019. The story as a whole felt well-adapted to 2019.
    What really hurt the movie in hindsight for me was finding that Dom Mancini – the person most responsible for keeping the Child’s Play franchise alive for the past decade-plus – did not want this movie made. He was hoping to continue the original story in some form since Cult of Chucky was well-liked by fans and ended on a cliff-hanger.
    But, here’s the thing: this movie didn’t have to be a Child’s Play movie! The story is different enough that a few simple tweaks would have just made it different enough to just be considered an homage, instead of a reboot. In fact, the technology angle could have made for some interesting explorations of how devices like Alexa and Google Home are used to build data profiles of us for advertising purposes. There were a lot of directions to go in.
    But, the studio knew a reboot of a beloved and well-known series would open well and they were right. The alternative could have done even better, but we’ll never know.
    20. Dr. Sleep
    Speaking of horror movies that felt unnecessary, we have the never-awaited sequel to The Shining. Well, kind of. Although The Shining has a case as the greatest horror movie of all time, the author of the book that it is based on did not enjoy Stanley Kubrick’s adaptation very much. Since that author was Stephen King, he settled that issue by writing a sequel novel. So, this movie isn’t so much of a traditional sequel as an adaptation of a sequel.
    The story follows Danny Torrance into his adulthood, where he has fully tapped into his psychic powers and has done so in a way that comforts the elderly while they’re dying. The movie features Ewan McGregor in the starring role, but also introduces Rebecca Ferguson as a charming villain with a strong Stevie Nicks vibe to her.
    The movie was never going to be a masterpiece, but it could have had a nice couple week run had it debuted in September or October and not the week after Halloween.
    19. Always Be My Maybe
    As someone who doesn’t not enjoy rom-coms very much, this one surprised me. It was funny and featured two breaths of fresh air in Randall Park and Ali Wong. The Keanu Reeves cameo was hilarious. While the story did follow the rom-com script, it felt different enough to make it an enjoyable watch.
    18. Scary Stories to Tell in the Dark
    Like every other kid born between the years 1980 and 1995, I had the Scary Stories books, and remember quite a few of the tales. I wasn’t sure how a movie would work, but was happy to see it turned out to be a better and less cartoonish version of 2015’s Goosebumps.
    The stories were woven into the plot expertly and often in terrifying ways. The ending did not wrap everything up in a bow, or undo the damage done in the movie. Although it’s tame enough for kids to watch, it’s scary and serious enough for an adult horror fan to be creeped out by.
    17. Rocketman
    Although I stand by the opinion that “Rock Hard: The Dewey Cox Story” should have been the final music biopic ever made, this one was better than recent additions to the genre, especially the Bohemian Rhapsody abomination from 2018. Each of the songs is woven into the movie well at points that make sense and often were accompanied by beautifully-shot surreal sequences. It was self-serving, as all of these movies are, but it was worth watching.
    16. Happy Death Day 2U
    I was a huge fan of the first movie in this series, which essentially uses a Groundhog Day style format while following a college girl who is murdered by someone in a baby mask every day and wakes up every morning in the same spot on the same day.
    The second movie explores the space a bit more and plays with the idea of time travel and alternate universes. It’s fun and original (outside of the general concept, I suppose) like the first one is. It features a suicide montage that is not as sad or dark as that description makes it sound.
    15. El Camino
    There was a time when I was North America’s number one Breaking Bad stan. Last year, I ranked Better Call Saul as my best show of 2018. So, it’s cool that universe is also ending up on my movie list. I was ecstatic to check this movie out and I wasn’t disappointed. It featured everything you would want out of a Vince Gilligan show and even featured a satisfying ending as the cherry on top. The fact that it came out the day Robert Forster died made his send-off mean all that much more. It was great to have Aaron Paul back in what it seems will certainly be the defining role of his career.
    The only negatives I have are the Walt and Jane cameos that felt somewhat forced and unnecessary. The movie did not need to exist, but I’m glad it does.
    14. Good Boys
    This movie was so God damn funny all the way through. While high school movies have really taken a step back overall this decade, I look forward to the middle school movie revolution. It’s part of what has made Big Mouth so successful: middle school is a far dumber and weirder time that features far more inexplicable behavior. Plus, Sam Richardson, Retta and Lil Rel Howery are hilarious in their roles as adults. This was somehow the highest-grossing comedy of the year, although I’m not sure I’ve actually talked to anyone else who even saw it. There’s probably a lot to say about the decline of comedies like this as a successful commercial vehicle, but oh well no time now. Maybe next year.
    13. Annabelle Comes Home
    The sixth installment of the Conjuring series had the feel of a bottle episode on a TV show. Ed and Lorraine Warren – well-known psychics from the 1970’s – have to leave their daughter at home with a babysitter during a weekend trip away. The movie taps into the ominous artifact room that is shown in the first Conjuring movie, including the terrifying Annabelle doll.
    The evil that’s unleashed when the Annabelle doll is taken out of its cage causes each of the other artifacts to escape and torment main characters Judy, Mary Ellen and Daniela. The movie brought it scene after scene in uniquely terrifying ways. By tapping into the other cursed objects and demonic forces, the movie avoided getting stale in the third Annabelle installment. As a horror fan, it was fun as hell pretty much from start to finish. It was also fairly sweet in the way these movies can be.
    12. Avengers: Endgame
    We’re living through the death of the monoculture. In some ways, that’s perfectly fine. It gives more writers, filmmakers, creative types etc. a chance to create something. It also means more niche stuff, and, ideally, quality untold stories are produced. But it does feel like we’re losing an aspect of pop culture that tied us together socially. We already work more than we used to, spend an inordinate amount of time on social media, shop online, go out less.
    It’s something I worry about, even if sometimes that concern takes the form of “what movies and TV shows over the course of a year can you even reasonably assume someone has seen?”
    Endgame wasn’t the best movie of the year or all that close. It wasn’t the best comic book movie I’ve ever seen. But it was an event that felt genuinely cool to be a part of. Seeing the movie on its opening night at the Historic North Park Theatre on Hertel Ave. in Buffalo was an extremely cool feeling.
    And while I’m against the trend that Marvel has almost singlehandedly started where movie series are intended to go on forever like TV shows with no end in sight, this version pays off if you’re the right age. I was 15 when I saw Iron Man in theatres in 2008. I was 19 in 2012 when I saw the Avengers. And so on and so on. I’m 26 this year, so this felt like a perfect time for an ending. I’m not especially concerned with what comes next in Phase Four of the story. Three phases brought me from 15 to 26, entertained me most of the time and that’s enough. Love Fat Thor, tho.
    11. Into The Spiderverse
    This movie did not come out in 2019, but it was released after I put together my list last year, so it has to be included here. It’s in contention for the best animated movie of the decade and best comic book movie ever. The animation was stunning. The story was original, heartfelt and sweet. John Mulaney and Nicholas Cage were excellent choices for the background Spidermen. Great stuff.
    10. Marriage Story
    *Thinks about how many more people have seen Adam Driver portraying Kylo Ren in a creatively bankrupt Star Wars trilogy as opposed to his dozen or so far better performances in smaller movies*
    *Punches a hole in the wall and collapses into tears*
    9. Booksmart
    I liked Booksmart so much when it first came out that I saw it twice in the same weekend. Of course, I’m a big exception there. I’m not sure whose idea it was to release a borderline-Indie, low-budget teen comedy on Memorial Day weekend against multiple blockbusters, but that person shouldn’t be allowed to make any more decisions.
    One of the funniest movies I’ve ever seen, the female Superbad to some extent. The year of Billie Lourd began with her absolutely insane performance she gave in this movie.
    8. Joker
    Ah, it seems that I am cancelled.
    When I heard this was coming out not long after being subjected to Jaret Leto’s piss poor attempt at the character, I could not have been less interested. When I saw the preview, I turned it off halfway through. When the discourse began, I couldn’t have been further from interested.
    At first, the complaints seemed to be either “knowing the Joker’s backstory actively detracts from enjoying him as a villain” and “we’ve had too much Joker of late, stop with all the Joker, man.” I happened to agree with both of those points. But the discourse took a turn toward portraying the film as too dangerous to be seen, which is hilarious as a concept. It caught the tag of being a sacred text for Incels, for some reason. I was sure that it was not worth the trouble, that the 80’s housewife style hysteria was only serving to promote was sure to be a forgettable and dull movie.
    Many people did think that after seeing the movie, but I was not one of them. Far from being perfect or even great, the movie explored resentment between classes better than almost any movie that I’ve seen. Joaquin Phoenix was superb, giving the best performance I witnessed this year. It did borrow too heavily from other filmmakers, especially Scorsese. But the ending was stunning and felt right for both this movie and any kind of work starring the Joker.
    Now, let’s put this character in storage for a couple decades.
    7. Hustlers
    This movie RULED. J-Lo was unbelievable and didn’t look even half her age (50!?). Constance Wu did a great job of drawing in the viewer in to her side and making us understand why she does what she does. Cardi B, Lizzo and Lili Reinhart were fun as secondary characters. We don’t get many good female buddy-crime movies. Here’s to hoping the 2020 brings us more of this.
    6. Us
    In my opinion, Jordan Peele made the best movie of the decade with Get Out. Us isn’t quite that good, but still one of the better horror movies of the decade. While Get Out dealt with racial tensions, especially the way Black Americans can sometimes feel when surrounded by White people, Us explored class issues, also indirectly through a horror-tinted lens.
    Some things I liked: Lupita Nyong’o’s dual performance (which should earn her an Oscar nomination), Winston Duke’s charming dad lameness, Tim Heidecker and Elizabeth Moss being involved at all, “I Got Five On It” being used the way it does, stunning visuals of literally hundreds of corpses, the terrifying underground layer where the tethered people come from and the scene where the family originally meets its counterparts.
    The movie didn’t totally connect the class critique to the story the way Get Out did with race, and the third act didn’t quite have the impact it should have.
    Still: a disturbing movie that will make you think about it for days after finishing it.
    5. Irishman
    I dropped the “Fleabag Priest wasn’t hot” take on my TV list around this spot, so I better unveil another scorcher here: the Irishman was the exact correct length. It needed all that time to tell the story of Frank Sheeran, from union driver to dying old man whose family hates him. Yes, it requires an investment and you do have to pay attention pretty close the entire time to get the full effect. But, shit, make time for it. It’s Scorsese directing DeNire, Pacino and Pesci. Do you think you’re ever going to get this again.
    There’s been literally tons of internet ink spilled on this movie, so I’ll keep it brief. The moment I knew I was watching a masterpiece was near the end of the movie when Sheeran, sporting a walker and hobbled by years of hard living, waits in line at the bank hoping to speak to his daughter, a teller. She glares at him and goes on break. He begs her to come back and gives such an unbelievably sad look, you’re immediately suckered into feeling bad for the boring idiot who killed his best friend not too many scenes back. It’s an incredible achievement of both acting and directing.
    4. Knives Out
    Is anyone in America having a better December than Rian Johnson? While J.J. Abrams is busy making desperate excuses for why he tried to ruin Johnson’s pretty solid “Last Jedi”, Johnson is lavishing in both critical praise and commercial success.
    The film was incredibly cast, especially using Chris Evans, perhaps the most beloved actor in America, as an unrepentant dick. Daniel Craig doing an incredible Southern accent was also fun. Ana d Armas was a revelation as Marta. When you’re not with them, you’re spending time with Jamie Lee Curtis, Katherine Langford, Don Johnson, Toni Collette, LaKeith Stanfield, Michael Shannon, Edi Patterson Jaeden Liberher and Christopher Plummer. Beyond the cast, the writing, plot, directing…it was all nearly perfect. It was made all the more special by the fact that it is an original story. It’s the kind of movie that makes me feel somewhat positive about the future of cinema.
    3. Midsommar
    Part of the reason I love horror as much as I do is it expands upon the variety of feelings movies can draw from a person. Most movies just compel you, entertain you or make you laugh. Some can inspire. But horror can scare you, disturb you, unnerve you, even disrupt your sleep pattern. But Midsommar hit a similar note as Ari Aster’s last film, Hereditary: it fills you with tremendous dread. The movie, nearly three hours long, brings you along on a trip to a rural, borderline cult in Sweden. You get sick of the people you’re spending time with, you start to feel miserable. You want to go home, you want this vacation to end. Eventually, you resign yourself to the terrible fate that awaits you. And I don’t mean that in a bad way. Plenty of horror movies featuring unlikable characters drag on far too long. But Midsommar keeps you compelled, nervous and on-edge while almost nothing happens for long stretches.
    I realize that I’m struggling to explain the feeling that this movie drew from me. I’ve never quite felt that kind of dread while watching a film, not even Hereditary. This was a stunning movie at times, especially near the beginning and end. I will be seeing literally whatever Ari Aster puts out next.
    2. Uncut Gems
    Speaking of movies drawing unique feelings, holy shit. I was on-edge for the more than two-hour run time when seeing my final film of 2019. There was so much I loved about this. The Safdie Brothers did an unbelievable job directing with what seems like difficult circumstances. Adam Sandler was believable as a slimy jewelry dealer/gambling addict in the midst of a divorce. Some of the characters were not really actors, but instead portraying different versions of themselves. Kevin Garnett is here and is exactly how I imagine he’d be in this situation.
    There’s no fat on this movie. Every scene builds on the almost unbearable tension, adds a layer or helps you understand the characters involved. The things doesn’t stop moving at all. The final half-four or so blew me away as much as any stretch in a movie this year. Plus, it takes place in conjunction with an almost completely forgotten 2012 NBA playoff series? Incredible.

1. Once Upon a Time in…Hollywood
Whenever I got down on the state of cinema in 2019 and beyond, the Disneyification of culture or anything like that, I remembered Quentin Tarantino made a decently-high-budget movie starring Brad Pitt and Leonardo DiCaprio and featuring somewhere around 100 notable cameos, secondary characters and extras. Margot Robbie is also a top-billed star, although she isn’t given nearly as much to do. I think she did an excellent job of portraying a rising star who’s in the beginning of everything.
The movie mostly followed the later-in-life journeys of movie star Rick Dalton and his stunt double, Cliff Booth. Unlike Robbie’s Sharon Tate, these two are at the end of their runs, in different ways and for different reasons. That theme is part of the reason this feels unlike any other Tarantino movie. It’s not a violent romp or a triumph or anything of the sort, really. It’s both a send-off to a certain time of Hollywood star and a do-over for a steady riser who was brutally and unfairly kept from what could have been a beautiful career if not for the Mason family.
That’s where the other aspect of the movie comes in. We barely see Charles Manson, but his soon-to-be-famous followers get quite a bit of play, including Dakota Fanning’s Squeaky Fromme, who tried to kill Gerald Ford a few years later. Ultimately they didn’t matter as much as I thought they were going to, hut that was part of the point: taking power away from them and giving it back to Tate, without her even knowing how close she came to being destroyed.
However, the Spahn Ranch scene was probably the aspect of the movie that most stayed with me, all the way from Cliff picking up the hitchhiker to him driving away. Brad Pitt was incredible all the way through. Bruce Dern was hilarious in his brief and surprising appearance. The rest of the Manson family members did an excellent job of setting as suspicious a scene as possible.
There are 100 more reasons I could come up with to explain why I love this movie so much, but I recommend you see it yourself. I guarantee it will make at least two-three hours of your 2020 better.

Best Stuff I Watched in 2019


  1. The Mandalorian

This is a funny show to rank against others on this list.  At times it’s basically just an old-school procedural with some fun mission of the week stuff. It isn’t groundbreaking television in any way however it really does nail a few essential elements of Star Wars.  A really cool, lived-in world that explored the hidden corners of Star Wars.  But also Baby Yoda is as incredible as everyone says he is and for that I couldn’t conceive of leaving The Mandalorian off the list.

  1. Veronica Mars

I was genuinely surprised how much I loved this revived 4th season of Veronica Mars.  This is a show that had to reinvent himself from a shockingly dark teenage noir/soap opera and really look at what it would be like for that beloved character to exist today.  Especially following up on a movie that was exclusively fan service that didn’t add any new layers to the character.  The titular detective was her same funny and adventurous self but with an additional layer of sadness over how little the character had grown since we had seen her in high school.  I genuinely hope we get more seasons with Veronica increasingly becoming the troubled PI she was always destined to be.

  1. Watchmen

There is probably no movie or television show that took more swings at transforming a beloved piece of IP than this “remix” of the beloved Watchmen comic.  As the comic which had centered around the Cold War paranoia of 80s in which it was based gave way to a television adaption focused on race in America.  This sequel to the original masterpiece gave us truly inventive new characters while showing us old ones in ways I never had really thought through.  It without question peaked with its 6th episode and while I don’t think it completely nailed the ending, it nailed enough of the things along the way to make it a worthwhile heir to the Watchmen name.

  1. True Detective

Well, this is a show that has been a bunch of things in honestly a fairly short run.  From the almost universally beloved 1st season, to the uh much less critically acclaimed 2nd to a 3rd season that while never quite as exciting as the 1st may have surpassed it in quality. As an aside, I will defend Collin Farrell’s performance as Ray Velcoro in the 2nd season as one of the decade’s best. The 3rd season dealt with multiple timelines, and hinted at an extended conspiracy that reached back to the 1st season however, in truth what it ended up being about was the way grief and pain extends through generations and how time impacts those wounds.  All of this centered around the incredible performances by Mahershala Ali and Stephen Dorff as they played these detectives whose lives were forever scarred by their work on one case.  The way they played these men through different decades was truly incredible.

  1. Barry

When Barry’s first season ended, I honestly assumed that would be the end of the series.  It felt like an exceptional short story that had run to its natural conclusion.  Clearly though Bill Hader had other things in mind though as the 2nd season became delved even deeper into the character of Barry and most especially Henry Winkler’s Gene, Sarah Goldberg’s Sally and my favorite Anthony Carrigan’s NoHo Hank.  I can not wait to see where the 3rd season takes the story.  Additionally, the episode “ronny/lily” was probably the single best episode of television this year.

  1. I Think You Should Leave with Tim Robinson

I really don’t have a ton to say about this show except that it is exceptionally funny.  Tim Robinson came up with a bunch of extremely hilarious sketches and everyone should watch all of them.  If you don’t agree well then, YOU HAVE NO GOOD CAR IDEAS!

  1. Lodge 49

What a unique and incredible television show.  It was recently canceled after two seasons after ending on a cliff hanger and that’s really too bad, but I wouldn’t let that deter anyone from watching it.  It is in a sense the story of a surfer, Dud, who joins a Knights of Columbus type organization in search of meaning in life.  However, it is really much more than that, it’s about what family means and what it means to find a family of your own and the ways modern society prevents us from doing that. It features the character I liked on tv most this year, since Kim Wexler took the year off, in Liz who is Dud’s slightly more responsible sister.  Honestly though I really need a space to talk about what Paul Giamatti did playing the character L. Marvin Metz a truly deranged character where I think I laughed at every single thing he said or did. Please watch Lodge 49, you will not regret it.

  1. Fleabag

A truly great tv show.  I enjoyed the first season of Fleabag, but the 2nd season was really moving and exciting in a way that is truly unique for television.  I’ve never seen another show quite like it and the toxic and beautiful love story between Fleabag and the “Hot Priest” was really special.  The whole cast is really stellar but Phoebe Waller-Bridge’s writing is what truly elevates the show and I can not wait to see what she will be writing next.

  1. The Righteous Gemstones

There are very few things in this world I consistently enjoy as much as Danny McBride’s television shows and “The Righteous Gemstones” is no exception.  The story of this televangelist family proved to be the perfect place for McBride’s, along with his frequent collaborators David Gordon Green and Jody Hill, unique sense of humor and humanity.  The show featured their greatest creation yet, Uncle Baby Billy Freeman, portrayed by Walton Goggins. His scenes with John Goodman’s Eli Gemstones add real gravity to what at times could feel like a silly comedy.  The show peaks in its 5th episode, an episode-long flashback, and with the performance of the single best pop culture creation this year, “Misbehavin’” by Baby Billy Freeman and Aimee-Leigh Gemstone.  Just watch and be inspired.

  1. Succession

Last year I thought Succession was the best show on television and in its 2nd season it got better.  The show remained just as funny in it’s 2nd go around, but came back this season even darker than ever before.  The cast was equally as brilliant playing the highs and the many many lows of the Roy family as the family attempted to hold off a hostile takeover of their company.  The show has one-liners worthy of Veep while maintaining a human touch that is equally as important.  The show’s most sympathetic figure at points is Tom, a man who is in charge of what is basically Fox News and this is a character I constantly feel deeply for.  There is nothing else quite like it and I’m thrilled we will be able to watch this show again next year and ideally for years to come.

Honorable Mention:

Russian Doll, The Boys, The Good Place, You’re the Worst, GLOW, Veep, Brooklyn 99



  1. The Report

This is a movie that is designed to make you angry and at least for me it succeeds.  It dramatizes the creation of the “Torture Report” in a way that is extremely engaging considering most of the movie is Adam Driver looking at documents.  It’s well worth watching and will make you angry at multiple presidential administrations! Also, I saw 4 Adam Driver movies this year and this was my favorite one.

  1. Under the Silver Lake

I wasn’t really sure if I liked this movie when I first watched it.  It is extremely chaotic and goes in a bunch of extremely strange directions.  However, I was thinking about it for days after and had a visceral reaction to it unlike the other movies I saw this year.  I can’t necessarily recommend it to everyone but if you do watch it you are in for a wild ride.

  1. High Flying Bird

This movie feels like it was manufactured to make me happy, and guess what it succeeds.  A movie directed by Steven Soderbergh, one of my favorite directors, starring Andre Holland (from The Knick), Zazie Beetz (from Atlanta), Melvin Gregg (from American Vandal), Kyle MacLachlan (from Twin Peaks) among others and is about an NBA lockout.  Look there is basically no way I wasn’t going to enjoy this movie but it’s a really smart, interesting movie with a fascinating point of view.  Additionally, the visual style of this movie is really interesting to see as it was shot entirely on an iPhone.

  1. Ford v Ferrari

Just a truly fun time at the movies. This movie is loud and one of the best sports movies to come out in years.  I feel like I’ve already watched it like 15 times on TNT.  Bale and Damon are really great and I have to say as someone who is a giant sport fan who has never understood the appeal of auto racing this movie really explained the skill behind it generally along with the specific talents needed to successfully race at the 24 Hours of Le Mans.

  1. John Wick: Chapter 3 – Parabellum

This is probably my favorite ongoing movie series right now.  Just an incredible series of movies that is basically just an ongoing series of truly iconic action sequences.  Really though this movie has everything you would want: Boban, assassin dogs, knives, guns, assassins using swords on motorcycles, John Wick riding a horse and using that horse as a weapon and much more.  Watch the John Wick movies and be entertained.

  1. Ad Astra

As someone who both loves Brad Pitt and is a sucker for space movies, this was clearly in my wheelhouse. It’s meditative at points and might be slow for certain people however the father/son relationship makes it quite soulful.  Also, though the movie might seem slow at points it has a few of the most exhilarating set pieces you will ever see, notably the one that opens the movie.

  1. Uncut Gems

Well, this movie is stressful as can be.  Following Adam Sandler’s Howard Ratner as he attempts to make cash to pay off his debts and make some bets, with a large emphasis on the latter can cause some anxiety.  It is well worth it though, as the reason you are anxious is how fully you are living in Howard’s chaotic world.  Sandler gives the best performance of his career and hey Mike Francesa and KG are good! Also, Julia Fox is going to be a movie star.

  1. Parasite

I knew very little about Parasite going in and it made the experience that much better.  Considering most people probably haven’t seen it I will say it does something that some of the very best movies do, think Get Out or Phantom Thread, where you think you are watching one movie for a period of time and then all of a sudden you are watching another more exciting one.

  1. Once Upon a Time in… Hollywood

I honestly believe this movie is Tarantino’s masterpiece.  He’s one of the greatest directors we have but what he does with this movie is add a tenderness that can often be lacking from his other works.  Leo, Pitt, and Robbie are all exceptional as is all the very deep supporting cast.  Just thinking about this movie makes me smile with happiness.  It is a movie that could only have been made by Tarantino and I can’t wait to rewatch it soon.  In multiple incarnations of this list, this movie was first but in the end I think the joy it brings me isn’t quite as meaningful as the emotional journey the next movie brings you through.  Either way please enjoy 4 or 5 whiskey sours tonight in this movie’s honor.

  1. The Irishman

For a while I used to joke that “The Irishman” wasn’t a movie but Martin Scorsese’s secret attempt to bankrupt Netflix through this movie’s ever-escalating budget and runtime.  I couldn’t have been more wrong.  Instead, we got arguably the greatest director of all time working with many of his long-time collaborators, including Joe Pesci who had to be convinced to come out of retirement, along with some new faces, notably Al Pacino, delivering a film that encapsulates so much of what he does brilliantly.  The movie opens with a shot that is deeply reminiscent of the famous Copacabana shot in “Goodfellas” but in a much sadder frame.  While at times the de-aging technology used can be distracting in the movie’s opening hour you quickly become so deeply engrossed in the story you forget it’s happening.   The film is simultaneously one of the funniest movies to come out this year while also being the saddest one I’ve seen.  As it’s the story of a man who is failing to come to terms with the end of his life and the choices he made that left him there.  It is about a man who destroyed everything he should have cared about and barely even thought through those choices as he made them.

Honorable Mention:

Triple Frontier, Rolling Thunder Revue, Ready or Not, Motherless Brooklyn, Knives Out, Dolemite Is My Name

Special Awards:

Best Visual Poem: The Unauthorized Bash Brothers Experience

I didn’t know how to classify the Bash Brothers so I decided to rank them according to the category the Lonely Island deemed them to be, a visual poem.  The Lonely Island delivers again with a hilarious pairing of character and theme.  The poem delivers outrageously funny songs and visually and is especially entertaining for those who may have possibly read Jose Canseco’s “Juiced”. But hey who would possibly do that.

Best Movie follow up to a TV Show: Deadwood

It is impossible to talk about the end of Deadwood without talking about the man behind it, David Milch.  Milch is one of the greatest writers in the history of tv and Deadwood is probably his greatest creation.  Deadwood’s final chapter is impossible to look at without seeing it as an autobiographical work by Milch. As the Deadwood movie details the way the show’s co-lead Al Swearengen, battles his body but more so his find failing him in his final days.  Milch’s battle with Alzheimer’s is told in a heartbreaking fashion in this New Yorker piece I have to recommend. Milch is able to deliver Deadwood the finale it deserved as it used the passage of time from its 3rd season finale to give all the characters added gravity.  The finale is beautiful, sad and outrageously funny in the way Deadwood was at its best.  Very few pieces of art will meet mean as much to me as the Deadwood movie will.

Favorite Performance: Martin Lawrence – The Beach Bum

The Beach Bum is basically a hangout movie that is quite fun for most of it’s run time.  However, there is what is probably a 10-minute sequence where Martin Lawrence shows up as a dolphin boat tour guide Captain Wack that is the single funniest part of any movie this year.  Literally everything he says is so outrageously funny that the entire movie is worth watching just so you can fully appreciate those scenes when you get to them.

All the shows I watched in 2019 RANKED

Well, hello friends. I suppose it’s the end of another year. I’m not sure how this happened, but it seems it did. Last year, when I wrote for this procrastination-themed blog, I promised to get a hobby or at least consider the idea, but I didn’t and here we are. I watched 28 shows and 30 movies. It’s late December and I have some takes on said TV and movies
As always, this is a ranking of every show I watched this year.  So, the shows ranked near the bottom aren’t necessarily the worst shows, but something had to be near the bottom. Rankings are based on a combination of how much I enjoyed the work, how good I thought it was objectively and how much is resonated with me. Anyway, hope you enjoy.

  1. Game of Thrones
    I first binged Game of Thrones back in 2014. Back then, there were four seasons to catch up on, and all of them were incredibly good. I never read the books and, at that point, I never paid that close of attention to how far away they were from the source material. I didn’t realize at that point that I had already seen the best of Thrones – a show that, at its best, held its characters to account on their actions, didn’t bullshit and didn’t especially care about how upset the casual fan was about any episode. The show was incredible for years.
    Without getting too much into the intervening years, the show fell off. Still, nothing can compare to this year. From start to finish, it was clear that two years of preparation meant nothing. Benioff and Weiss, for all their success in the earlier seasons, seemingly had no idea what made the show tick. Worse, it seemed they didn’t care. I don’t need to tell you what was wrong with this ridiculous, embarrassingly stupid season of Thrones. But I will tell you this: two incredibly-well-paid men who had spent the past decade on the show didn’t care enough to even attempt to give the show a good send off. The peak of privilege in the TV industry wasn’t enough to get these clowns to care enough to put together six hours over two years that even made sense.
    There are enough rich idiots in everyday life that make life worse for everyday Americans. We don’t need more in charge of our most popular show. Of course, there were some that enjoyed it enough or pointed to how hard it was to finish a show of this magnitude. To either of those type of people I say: hold your leisure time to a higher standard. And to those who played an integral role in ensuring this season was a lazy, cynical mess: go to hell.
    27. 13 Reasons Why
    Two years ago, I ranked the first season of this show last for a variety of reasons. Last year, I also ranked it last and even questioned why I even watched it again. Well, your boy is real bad at learning his lesson. This year, I was surprised at least, in a different way.
    The first season caught hell from the woke arm of social media, and rightfully so. This season seemed to fly under the radar despite even more uhhhhhhhhh problematic themes. The show not only rehabilitated a rapist, but made him a posthumous victim. I’m not necessarily opposed to those ideas, but wow, the balls. This show can barely write coherent dialogue and it thought it was gonna tackle issues in that fashion? You have to respect the audacity.
    26. Scream
    The original movie is one of my favorites. I’m obsessed with the Scream universe to the point where I correctly guessed the killers of the first two seasons of this series. I expected that to be the end of that. I knew when the last season aired in 2016 that they weren’t going to continue with the series and the Brandon James mask.
    After they opted to forgo the third season and switch gears, series producer Harvey Weinstein had that thing happen where it turned out he was a monster in such a profound way that his accusers speaking out started a worldwide trend of abusive men getting some form of comeuppance. The show was on hiatus for years until they decided to air it over three nights this past July. In-keeping with the theme of the movies, the third iteration sucked.
    25. Unbreakable Kimmy Schmidt
    It feels like when I bring up this show to people who don’t like it, they’re disappointed that it doesn’t live up to the standards of Tina Fey’s previous masterpiece, 30 Rock. However, this season didn’t even match up to the standards of the first few seasons of this show, which were very good. On another note, you can’t send off a comedy in a dramatic and a fulfilling way after a total of fewer than 50 episodes. Especially when they’re dumped over a weekend with a year or so between seasons. It’s not earned.
    24. Big Little Lies
    Big Little Lies was an incredible adaptation of a book that was cast perfectly, directed well and put together as well as anything put on TV…in 2017. This season? It had no reason to exist. It was so useless, not even peak Meryl Streep could make me see the point.
    23. Crazy ex-Girlfriend
    As a show I binged over a period of a few months stretching between 2018 and 2019, I can’t say I have a clear idea of when this it fell off, but it certainly did. That’s to be expected, of course, with a show that is made up of a small cast and an even smaller group of writers. But there were certain disappointing elements about the final season, not the least of which was serious diminishing returns when it came to musical sequences. Still, I’m glad I watched the show and I enjoyed the hell out of the first few seasons. Very few shows end perfectly, and this is not the exception.
    22. Crashing
    The third season of Pete Holmes’ somewhat-biographically-driven look into the life of an upcoming New York comic will be the last, which is a shame. The show had one more season in it, and needed at least that to complete a coherent arc. This season, at the very least, was funny, weird and worth watching.
    21. Black Mirror
    Anthology shows are always tough to place on this type of list, but Black Mirror’s quality always puts it near the top, regardless. However, they cut back on the total number of episodes for the fifth season, presumably because of the recently-released Bandersnatch movie. The first episode was solid, if operating off a tired premise. The second episode was stunning and compelling and beautiful – among the best the series has produced. The third was…we get it, man. People are on their phones too much. Maybe try being 10 percent more subtle.
    20. The Chilling Adventures of Sabrina
    I’ve enjoyed the first two seasons of this show, even if they haven’t been all that great. They’ve been fun, built the surrounding universe well and have featured fun side episodes. It occasionally leans too much into actions not have consequences and characters changing motivations, but still works overall. The second season was delightful, but in some ways felt either like an ending or a show unloading the clip entirely too early. I suppose that isn’t a problem for now, at least. It was an enjoyable season regardless.
    19. The Good Place
    I’ve loved the show since it came out about four years ago. But the past year or so, especially since the middle of the third season, I’ve felt the show is coasting on how much the audience loves the characters. It was almost undoubtedly a better show through the first two few seasons, especially the unbelievably good first season. It’s not that there’s anything wrong with the show, it’s still very funny. But I can’t say it’s all that groundbreaking or mindblowing anymore, and it certainly hasn’t been as funny as its peak. As for the serious aspects, a bit of subtext helps. It’s tough to build on that mission when the literal goal of “just being good if possible” is stated over and over from the beginning. Still a fun show, though.
    18. A Series of Unfortunate Events
    I read all 13 books and hated the movie that came out in 2004. This show was a much more faithful telling of “Lemony Snicket’s” tale. I don’t have much else to say about it. If you’re a fan of the books, watch it. It’s delightful.
    17. Riverdale
    Two years ago, I put Riverdale first on this list and that was deserved, in some way. I can’t say I feel the same way about the first third or so of the fourth season, which occasionally feels like I’m sleepily imagining whatever is happening. The sendoff to Luke Perry was legitimately beautiful, and it stands alone among recent Riverdale episodes. The rest of this season has leaned into the laziness of season three in terms of plot points featuring major efforts coming and going like a swift breeze. But, ya know, it’s still a wild and fun and always surprising time spent with the sexy teens. That’s all it’s meant to be.
    16. Glow
    This show just seems to get broader and more fun every year. Allison Brie and Betty Gilpin are incredible as always as best friends/actors turned female wrestling pioneers. Marc Maron is impressive as Sam, a wrestling manager/struggling writer/imperfect dad/Marc Maron stand-in. The secondary casts is full of color and life, each bringing something either touching or funny or both to the table. The wrestling sequences are always fun, and the emotional moments always hit.
    15. Dead to Me
    I didn’t know anything about this show before it dropped on Netflix, which is an insane reality of TV in 2019. A show with Christina Applegate and James Marsden can come and go with little or no fanfare. The show was devastating at times and funny at others, but always compelling. I enjoyed the hell out of the story and view it as complete. There will be a second season, and much like Big Little Lies, that is completely unnecessary. But at least we can be happy with what we were given the first time around.
    14. Veep
    Veep has a legitimate argument as the best comedy of the decade, so it was tough to say goodbye. This final season did not come easily. First, the show had to switch gears in some ways after the election of Donald Trump in 2016. The standard of ridiculousness in any parody involving the White House has risen considerably. Of course, there was also Julia Louis-Dreyfuss’ battle with cancer that delayed the filming of this final season.
    But in some ways, they nailed it. Seemingly every character was given the sendoff they deserved, and was heard from this season. It didn’t try to change or find a heart. It’s just as cynical as the rest of the series, if not more so. Plus, there was a joke about Peggy Noonan that gave me a coughing fit near the end of one episode. If you haven’t binged this show, do it.
    13. Derry Girls
    Much like many shows made in the United Kingdom, Derry Girls does not have any fat on it. The second season is six episodes, each one filled to the brim with plot and featuring jokes that come at a breakneck speed. You don’t need any more time than that to really feel like you understand each character. Not going to get too deep here, it’s just one of the funniest shows I’ve ever seen.

    12. Mindhunter
    I should clarify that Mindhunter is better than some of the shows that will appear ahead of it on this list. I’m almost certain that after rewatching everything, I’d move it up a few spots. But it’s my list and I can’t pretend I didn’t enjoy the other 11 shows more.
    That’s not a reflection on the genius of David Fincher, of course. The show is incredibly well-written, and is believable as a period piece. The conceit – two FBI agents with disparate personalities going around the country helping local police departments better understand serial killers – is compelling as hell. This past season focused on the hunt for the Atlanta Child Killer, a case that is fraught with both uncertainty and racial tensions heavy in the air. The direction is nearly perfect and the secondary storylines are the emotional heart of the show.
    11. Euphoria
    Holy shit, this show. I only ever started watching because it was on after Big Little Lies, but it blew that away along with nearly everything I’ve ever watched. The show centers around a group of teenagers at your “average” American high school, focusing primarily on Zendaya’s Rue, a recovering drug addict. Nearly every episode was completely insane. The show actually features all of these things in just eight episodes: a married father meeting transgender teenagers for motel room sex, an angry high school jock disgusted by his father’s infidelity both blackmailing a transgender teenager and an adult who publicly had sex with said jock’s girlfriend while they were on a break, a high schooler beginning a secret career as a cam girl, a girl nearly dying because she’s too depressed to go to the bathroom for more than 24 hours and a sweeping shot across a male locker room featuring an upsetting amount of male nudity, among other things I’m too scared to even mention here.
    10. Stranger Things
    This season was so fun and well done, it made me nostalgic for a time and place that I wasn’t even alive for. The new mall in Hawkins, serving as a backdrop for the events of the season, as well as the location of the season’s inciting incident.
    The cast was great as it has been for the entirety of the show’s run, with Maya Hawke coming on as a welcome addition in Robin, Steve’s ice cream parlor friend. I appreciated that the show didn’t feel pressured to have Robin and Steve end up with each other. Yes, it’s great to get lesbian representation on such a popular and well-regarded show. But it’s also a reminder that high school guys and girls can just have a fun summer together without any romantic interest. Even if that summer fun involves saving their small town from otherworldly monsters and Russian spies.
    9. American Horror Story: 1984
    It’s become an annual tradition for me to put American Horror Story higher than it should be and then promise it’s only because THIS season is the best one since the original. This time, I promise it’s true and I promise I will not say the same next year.
    This year’s season didn’t have Evan Peters for the first time in the AHS run, which added a weird wrinkle, but most of the show’s regulars returned, including the incomparable Emma Roberts. But it was Billie Lourd that impressed as Montana, the aerobics-obsessed sociopath who more or less sets the season’s events into action.
    I can’t say this was actually the ninth-best show of the year, but it was occasionally felt it was tailored specifically for me. Again, I was not alive in 1984, though I understand the general concept. This show also made me nostalgic for a time I never experienced. The characters are so in love with the decade and what it stood for that it made me appreciate a time I always thought seemed awful.
    Unlike most seasons of the show, this one did not get bogged down by going in too many different directions with too few consequences. There were time jumps, but they were coherent and seemed well-planned. Much of the action was heavily influenced by 80’s horror flicks, which was fun. The ending wasn’t dark or pessimistic, it was sort of beautiful in a campy way.
    Also, the following exact line of dialogue was uttered while “I Want to Know What Love Is” by Foreigner played in the background.
    “There’s nothing out there for me anymore. The 80’s are over. No one wants to do coke anymore. Fashion is boring now, it’s mostly just flannel. Good luck finding an aerobics class. I don’t want to be out there, Montana. I want to be here, with you.”
    8. Russian Doll
    I was blown away by the emotional response I had to this show. The concept was straightforward: Groundhog Day for a woman that keeps dying on her birthday. Eventually she finds a man who also keeps dying and waking up in the same spot. The show almost immediately has an obnoxious New York quality to it, but one that grows to be charming.
    The way it unfolds after the first episode was stunning and, at times, heartbreaking. By the series finale, I was emotionally wrecked, despite the show being a relatively quick watch with fun characters. Part of this is because Natasha Lyonne was impressive in the starring role. It was nearly perfect all the way through.
    7. Fleabag
    So many people have written so well about Fleabag that I don’t have much to add. The show is incredible and I recommend it to pretty much everyone. Funny, heartbreaking, insightful, beautiful. But I can’t help but feel duped. I was told there was a hot priest and no such character ever appeared. I, a straight man, was confused and shocked by the decidedly-mediocre-looking priest, but I suppose we all have own tastes.
    6. I Think You Should Leave
    This is definitely the show on this list that I spent the most time both watching and quoting in 2019. Not all of the sketches work…but holy shit, like 90 percent of them do. I’m not sure even Chappelle Show fired at that high of a clip.
    The was created by Tim Robinson and the former SNL writer and cast member stars in nearly every sketch as a variety of quirky, weird, aggressive or insane characters, a few times portraying the straight man. ITYSL featured an impressive array of guest stars that ensure that every sketch is as good as it can possibly be. I know more people that watched this show than any other this year, save for Game of Thrones and it strikes me how people choose so many different sketches as their favorite. Baby of the Year, is mine personally, but Honk if You’re Horny, The Car Focus Group, Laser Spine Center or, hell even the whoopee cushion prank. This show was an unbelievable achievement of comedy that I know I’m gonna enjoy for many years.
    5. True Detective
    The first season of this show was one of the best stretches in American television history. The second season tried entirely too hard and ended up confusing and awful and stupid. The third was probably somewhere in-between, though it’s my favorite of the three. Mahershala Ali and Stephen Dorff were both perfect as this season’s detectives, investigating a case that was both compellingly complex while also being simple in the way human flaws can be.
    The use of dementia to both cloud reality and add a sense of urgency to the show’s 2015 timeline was a masterstroke. The final shot of the season was beautiful and stunning and heartbreaking. This season was sweeter and more grounded than the past few. It felt possible to actually fall in love with the characters on a human level. And while the first season expertly used time jumps to show the evolution of human relationships at the family level, this season did an incredible job of making the viewer wistful for a time they’ve only just been introduced to. At least that’s what the final season did to me.

    4. Big Mouth
    Whenever anyone laments how comedy has been ruined by cancel culture, I’m too busy laughing at the image of a character voiced by John Mulaney donning his dead grandmother’s wig while impersonating her anti-Palestine views just before making out with his cousin, a Florida resident and competitive vaper to react.
    Everything I’ve said about the previous seasons of Big Mouth still applies with the addition of an absolutely stunningly hilarious Florida episode. Plus, the season ended on a genuine bummer and down note that made me feel a way I wasn’t expecting animated puberty comedy to make me feel. Please, for your own sake, binge this show right now.
    3. Barry
    The only way Bill Hader being the leading man and co-showrunner of a hit HBO drama about a hitman could get weirder is if…what? There was a second season that was even better than the first on every level and now you have to question if the Stefon guy from Saturday Night Live is making one of the great dramas in American history? Ah, well here we are.
    This season featured a semi-bottle episode that was among the best on TV this year. It also just continued a story that is unbelievably compelling all the way through. I really can’t believe this is happening either.

    2. Righteous Gemstones
    God damn, this show was a weird and beautiful journey. The show follows a wealthy and popular megachurch family that is at best cynical and, at worst, corrupt as hell. Without giving too much of the plot away, John Goodman and Danny McBride are as good as you’d expect. Adam Devine is very good in his own way. But Edi Patterson and Walton Goggins steal the show as Judy Gemstone and Baby Billy Freeman, respectively.
    For the first four-fifths of the show, the story is a better version of what McBride has done in his previous shows – a flawed or downright rotten, but charming main character gets into and out of shenanigans without many consequences (other things happen as well, this is far from a McBride-centric plot). But a turn takes place late in the season that’s not at all expected. It adds a heart and sincerity to the story, taking this show to another level. I was ecstatic when I learned that this show was going to be made, but I was floored at how much I loved each episode and how beautiful I found the final episode to be. The only thing that could surpass it was the show that aired directly before it on the same network.


1. Succession
This show features the best writing on TV by 10 miles. It’s also maybe the funniest show and rivals Mad Men for the most humorous prestige drama of the decade. It features some of the best performances on television, all of which come from relative unknowns or longtime underappreciated actors. It seemed impossible to top the first season, which was among the best of 2018. It featured maybe the funniest and best dramatic episodes on TV.
But in most ways, season two was even better. Since there was no time spent with Logan Roy out of the game, there was no slow start. It kicked ass from start to finish with the stakes visible right away. The season wasn’t just one story or arc, instead featuring a sort of family or company crisis in every episode.
The finale was as remarkable as season one, and perhaps just as unexpected. This is as close as TV gets to being perfect.
There’s a school of thought out there, even echoed by the most insufferable Democratic presidential candidate, that Succession is tough to watch because there is no obvious good guy. Logan Roy is an irredeemable villain and each of his children and colleagues have revealed themselves to be outright monsters or amoral to some degree. There could, of course, be an argument made in favor Cousin Greg or, if you’re very forgiving, Tom as a potential hero.
But that type of thinking not only fundamentally misses the point of the show, it’s objectively an insane and backward way of engaging with art. If the characters in Succession are so evil and disgusting in their lack of regard for those around them that it makes it impossible for you to want to watch in a time when there is more good television than ever, fine.
But who was the good guy in the Sopranos? Are you telling me you were, what, rooting for Skylar White in Breaking Bad? Were you disappointed that Selina Meyer continued to have a successful political career in Veep?
My best advice for anyone who has such a concern is to stop thinking about the show in terms of good and bad guys and to enjoy this masterpiece before the actual Roys of the world ban any art that depicts the rich in an unflattering light.
And if that doesn’t work, well, what’s the succinct phrase that Logan Roy is so fond of saying?